The Best Of D.H. Lawrence Is In The Essays We’ve Forgotten About

“What doomed Lawrence, in the long run, was not an accusation of phallocentrism but his elevation to the canon. … It is because Lawrence’s own purpose was so big that his novels make such nerve-racking reads. His writing is most at ease when … it happens glancingly. Only when he is caught off guard does he catch the essence of divine otherness.” – The New Yorker

How 92-Year-Old Burt Bacharach Keeps Working During The Pandemic

He does Instagram Live interviews, for instance, and a lot of virtual work: “We write something that we like, then I work by phone with Tim Lauer, who is the keyboard player in the nucleus of the band that Daniel will use. I’ll write out a framework for where this could go. Then Tim puts down a keyboard part and I get a temporary vocal from Daniel. Now you have a piano and a vocal and you start adding things.” – Washington Post

Misty Copeland Explains The Code Used To Discourage Black Ballet Dancers

It’s all about language choices, the ballerina says. For years she was told she had a great body for ballet, and then she joined American Ballet Theatre. Then she was being told to get rid of her muscles, her breasts, and her butt, told that suddenly she didn’t have a ballet body. “That’s language that’s used, because you’re in a visual art form, it’s about your aesthetic … so that’s what they say to Black and brown dancers to disguise saying ‘You don’t have the right skin color for ballet.'” – PopSugar

Portland’s Elk Wasn’t Targeted By BLM Protesters, And Other Public Art Discussions That Matter

Portland’s Barry Johnson has some musings about the Elk, statues of Robert E. Lee, and all of art history. “Art is emancipatory. … It can lead me almost anywhere, even to thoughts about the intent of the artist, the times the artist lived in, the artist’s relationship to those times, the times and art and artists that followed and preceded the art+artist+times I’m focusing on.” – Oregon ArtsWatch