How Social Media Became The Tool Of Despots

“We live in a single global village with numerous shared problems crying out for collective action, from emergencies like COVID-19 to longer-term existential challenges, such as global climate change and nuclear weapons. What harbinger is it for the future when one of the principal means we have to communicate with one another is so heavily distorted in ways that propel confusion and chaos?” – The Walrus

Blockbuster Philip Guston Show Postponed Over Concerns About KKK Imagery

On Monday, the National Gallery quietly posted a joint statement signed by directors of all four museums set to host the show: Kaywin Feldman (National Gallery), Frances Morris (Tate Modern), Matthew Teitelbaum (MFA Boston), and Gary Tinterow (MFA Houston). The statement said the exhibition was being pushed “until a time at which we think that the powerful message of social and racial justice that is at the center of Philip Guston’s work can be more clearly interpreted.” – ARTnews

At 86, Sophia Loren Is Returning To The Screen

“[She] stars in upcoming Netflix drama The Life Ahead, which is directed by her son, Edoardo Ponti. In the film, Loren plays Madame Rosa, a Jewish Holocaust survivor who helps raise the children of deceased sex workers with whom she once walked the streets. She then strikes up an enduring friendship with Momo, a 12-year-old Senegalese orphan who tries to steal her candlesticks.” – The Guardian

This Fall’s University Enrollments Are Down

Although the enrollment declines were steepest at community colleges (-7.5 percent), undergraduate enrollment fell at all types of colleges, including private nonprofit four-year colleges (-3.8 percent) and private for-profit four-year colleges (-1.9 percent). The decline was more modest at public four-year colleges (-0.4 percent), although there were differences across public four-year institutions according to location, with rural institutions seeing the biggest decline (-4 percent) and urban institutions seeing slight gains (+0.5 percent). – Inside Higher Ed

Christgau: Remembering The Volatile Stanley Crouch

“Crouch was a fervent American who was an even more fervent African American. He loved to perturb all comers by arguing that in the end the Middle Passage was good for Africans, but nowhere near as much as he loved to praise the richness and diversity of the Black cultures that the horrors of slavery made possible. For him, the peak of these cultures was jazz — from Armstrong to bebop, please, post-’60s not so much.” – Los Angeles Times

Behind Americans’ Addiction To Crap

It’s not just that these goods are shoddily constructed and add to the world’s clutter. Often, they’re actively harmful. The labor exploitation crap relies on dates back as far as crap itself. Many of the “decorative knickknacks” we consumed in the nineteenth century, for example, were produced in British factories where thousands of people, including young boys, worked with materials that contained lead and arsenic for a couple of shillings a week. – The Baffler

The Hidden Environmental Costs Of Streaming Music

Kyle Devine writes, “The environmental cost of music is now greater than at any time during recorded music’s previous eras.” He supports that claim with a chart of his own devising, using data culled from various sources, which suggests that, in 2016, streaming and downloading music generated around a hundred and ninety-four million kilograms of greenhouse-gas emissions—some forty million more than the emissions associated with all music formats in 2000.” – The New Yorker

The Census Is Seriously Undercounting. How Artists Can Help

Artists, designers, filmmakers, and writers and the organizations that serve them have a unique power to craft and circulate art and stories that illustrate what is at stake — schools, hospitals, infrastructure, and more — and inspire people to respond. They can adapt quickly and touch people in our new digital reality. The census and organizers in the civic engagement space need them right now. – Hyperallergic