How Filming/Streaming Opera Is Changing Opera

“In 1923 the conductor Sir Thomas Beecham warned that concert halls would soon be left empty ‘if the wireless authorities are allowed to continue their devilish work’. Yet there’s still no sign of that happening. Despite all the recording innovations of the last 100 years, people are still drawn to the actual event: the atmosphere, the sense of occasion, the close proximity of the performers – and the risk of it all going wrong.”

Egyptian Popular Culture Slow To Progress After Mubarak

“When Mubarak fell in February 2011, artists like Salama hoped that stories that had long been kept under wraps could now blossom and a citizenry that had been lapping up fluff might turn to more substantive fare. But as with many of the country’s political changes these shifts have happened unevenly as each entertainment realm has made progress at its own, sometimes turtle-like pace.”

What Is The New York Times On About With The No One Talks Thing?

“These are the tools, practices, and communities that can make online life not a flight from conversation, but a flight to it. But we will not realize these opportunities as long as we cling to a nostalgia for conversation as we remember it, describe the emergence of digital culture in generational terms, or absolve ourselves of responsibility for creating an online world in which meaningful connection is the norm rather than the exception.”

Looking Down On London From The Shard

You can’ see, in other words, the whole of London, until now an unencompassable splodge that could last have been captured in a single view perhaps 200 years ago, to its perimeter and beyond. Close to, familiar and not-small objects, such as the Gherkin and HMS Belfast, look like large toys. It is both implausible and real, something well-known seen from an unprecedented place. It’s hard to know what to do except gawp.” (And then there’s the building itself.)