Will Self Complains That Intellectually Challenging Art Has Been Marginalized

“I don’t for a moment mean to suggest that no-one produces anymore cultural artefacts that are ‘difficult’ in this sense – of course they do – it’s just that these works are no longer regarded as the desiderata that any well-cultivated person aspires to an appreciation of. Rather, ‘difficult’ works are parcelled off, and the great plurality and ubiquity of our media means that their specialist audience can be readily catered to.”

Rise Of The Hobbyist Comedians

“We’re seeing the rise of a permanent class of hobbyist comedians; weekend warriors who do five minutes of material once or twice a month at alternative rooms. Heckling is forbidden. These guys shouldn’t be charging their audience, any more than club tennis players should be charging people to watch them hit. But neither should they be singled out for scorn for daring to play tennis.”

How Filming/Streaming Opera Is Changing Opera

“In 1923 the conductor Sir Thomas Beecham warned that concert halls would soon be left empty ‘if the wireless authorities are allowed to continue their devilish work’. Yet there’s still no sign of that happening. Despite all the recording innovations of the last 100 years, people are still drawn to the actual event: the atmosphere, the sense of occasion, the close proximity of the performers – and the risk of it all going wrong.”

Proselytizing For Books On Monday’s World Book Night

“To the cynics, World Book Night must seem like windmill-tilting. After all, aren’t books meant to be going the way of Ceefax, or good manners? Well, no, they’re not. Polls show that reading has been rising in popularity for decades; literary festivals such as Hay are attracting huge crowds; and even if sales of paperbacks are falling, those of eBooks are shooting up. The real challenge is not to save books, but to widen the circle of those who love them.”