Are Films Of Shakespeare Too Faithful?

“Whereas filmmakers feel comfortable taking artistic license when adapting novels or the works of most other playwrights, there’s an unwritten rule that Shakespearean dialogue is so precious as to be locked in, that the stories cannot be tampered with in any significant way. Directors update the setting … but more often than not the core storyline and dialogue remain virtually untouched. … One has to wonder if film’s apparent reverence towards Shakespeare is too restrictive, when cinema allows for so much possibility.”

Is Using Classical Music To Fall Asleep Disrespectful To The Art Form?

J. Bryan Lowder: “The same music that you’d be chastised for dozing off to during a concert is available for precisely that purpose when you get home. Why does the taboo apply in one place and not the other? … I’m happily using a Cy Twombly piece as my iPhone background right now; should using a Beethoven sonata as nightcap really feel any different?”

The 100 Best British Novels, As Picked By A Panel Of Foreigners

“What does the rest of the world see as the greatest British novels? In search of a collective critical assessment, BBC Culture contributor Jane Ciabattari polled 82 book critics, from Australia to Zimbabwe – but none from the UK. This list includes no nonfiction, no plays, no narrative or epic poems (no Paradise Lost or Beowulf), no short story collections (no Morte D’Arthur) – novels only, by British authors (which means no James Joyce).”