For Solzhenitsyn’s Centenary, Bolshoi Presents New Opera Of One Of His Novels, Conducted By His Son

One Day in the Life of Ivan Denisovich, adapted by composer Alexander Tchaikovsky (no relation) and led from the podium by Ignat Solzhenitsyn (principal guest conductor of the Moscow Symphony and conductor laureate of the Chamber Orchestra of Philadelphia), “[is] staged in the round in the Bolshoi’s chamber theatre [and] sees prison guards patrol balconies behind barbed wire and searchlights roam the orchestra pit.” — Yahoo! (AFP)

The Man Who Invented The World Wide Web Has A List Of Principles For Saving It

Tim Berners-Lee: “The World Wide Web Foundation, an organization I founded in 2009 to protect the web as a public good, has drawn up a set of core principles outlining the responsibilities that each party has to protect a web that serves all of humanity. We’re asking everyone to sign on to these principles and join us as we create a formal Contract for the Web in 2019.” — New York Times

Art Handlers At MoMA Satellite PS1 Demand Same Pay As Those At Manhattan Mothership

“When both PS1 and the MoMA [headquarters] staged parts of a Bruce Nauman show, for example, the handlers in Manhattan, full-time members of the museum staff with benefits, were paid as much as $47 an hour. The top rate in Queens was $30 an hour. … The disparity led the art handlers in Queens, who do not receive health insurance or other benefits, to begin demonstrating outside the museum last month.” — New York Times

Sydney Opera House Worth $6.2 Billion To Australia Annually: Study

A report by Deloitte titled Revaluing Our Icon says that the actual financial contribution of the Opera House to the economy is now $1.2 billion annually —up 44% from the last report, five years ago — with its “social asset value,” a combination of factors such as visitor experience, willingness to pay a premium to attend a performance there, the landmark’s importance in tourist’s decision to visit Australia, etc., at $5 billion. — Australian Financial Review

Three Years After Reviving It, Theatre Drops Its Once-Famous Rep Company Because It’s Just Too Expensive

BBC”[Liverpool’s] Everyman became famous in the 1970s for its rep company, which launched the careers of actors like Bill Nighy, Julie Walters, Pete Postlethwaite and Sir Anthony Sher.The theatre was rebuilt at a cost of £27m in 2014, and revived its rep company two years later – decades after the system died out in most venues. … But the Liverpool and Merseyside Theatres Trust, which runs the Everyman and [Liverpool] Playhouse, has now been forced to ditch the idea once more.” — BBC

In The Most Heavily Bombed Country In History, The Art Scene Is At Last Recovering

Which country is this? On a per capita basis, Laos, on which the U.S. dropped 2 million tons of explosives between 1964 and 1973 in an attempt to destroy North Vietnamese military supply lines. “A new generation of artists from the Lao People’s Democratic Republic are emerging, following decades of isolation in the orbit of the Soviet empire. The economy is growing rapidly, and the country is opening up.” — The Guardian