Any burglarized homeowner knows that a five-minute response time isn’t good enough when you’re dealing with grab-and-go criminals. Art museums should not be lured into false complacency with high-tech gadgetry. They are no substitute for the most basic, essential component of art stewardship — human guards. – Lee Rosenbaum
Tag: 12.02.19
Audiences Are Choosing ‘Immersive Experiences’ Over Looking At Objects In Museums. How Will The Art Business Handle This?
“Performance and installation pieces are now the preferred media of just such moments at biennials and museum shows. For the second edition in a row, the top prize for a national pavilion at the Venice Biennale was won by a performance. … But where does all this leave the commercial art world, which for centuries has relied on the passive contemplation of painting and sculpture to forge careers, reputations and fortunes? How do you monetise experiential art?” – The Art Newspaper
Biographer Robert K. Massie, Author Of ‘Nicholas And Alexandra’, Dead At 90
“In monumental biographies of Peter the Great (1672-1725), Catherine the Great (1729-96) and Czar Nicholas II and Czarina Alexandra, who were assassinated with their five children and others in 1918, Mr. Massie captivated audiences with detailed accounts that read to many like engrossing novels. One was even grist for Hollywood: Nicholas and Alexandra (1967) was adapted into a film of the same title in 1971.” – The New York Times
At ‘Slave Play’ Q&A, Woman Shouts That Playwright Is ‘Racist Against White People’
“According to witnesses, the woman, whom [playwright Jeremy O.] Harris has nicknamed ‘Talkback Tammy’ on Twitter, stood up from her seat and loudly interrupted the Q&A just as it was finishing up. She accused the queer black playwright of being ‘racist against white people.’ At one point, she complained that she didn’t want to hear that white people are the fucking plague all the time.'” Harris patiently responded to her and even sort of defended her reaction afterward, saying “Rage is a necessary lubricant to discourse.” – Gothamist
Two Members Of Nobel Prize For Literature Committee Resign, One Because Of Award To Peter Handke
“Author Kristoffer Leandoer said he was leaving because he had ‘neither the patience nor the time’ to wait for the committee to complete its reforms” called for after the scandal that led to the postponement of last year’s award to this year. He said that his resignation had nothing to do with the very controversial choice for this year’s prize of Peter Handke, but the other departing member, Gun-Britt Sundström, said her decision was for just that reason. – Reuters
As Police Spray Tear Gas, Hong Kong Museum Of Art Closes One Day After Reopening
“Hong Kong police deployed tear gas during a protest yesterday that took place close to the city’s Museum of Art just one day after it reopened its doors to the public. The use of tear gas at the museum, which re-opened after a three-year renovation with a travelling show from the Tate, prompted concerns over whether the police’s wide use of the substance is putting important works and museum visitors at risk.” – The Art Newspaper
How Sesame Street Thrives After 50 Years
“Sesame Street” was inclusive before anyone really knew what that meant, the first safe space. It is a friend to everyone, which has a lot to do with why it’s the first TV show to receive Kennedy Center Honors. – Washington Post
What The NY Phil’s New Home At Lincoln Center Will Look Like
Justin Davidson: The current scheme, a joint Philharmonic–Lincoln Center project, is relatively modest. The auditorium stays where it is but gets gutted and rebuilt (again). In 2022, the orchestra moves out for an extended summer break, from May to November, returns for an abbreviated season in the reconfigured but unfinished hall, and spends most of 2023–24 touring, floating, and sojourning in its ancestral home at Carnegie Hall. The new Geffen reopens in March 2024. (Lincoln Center and the Philharmonic say that they’ve already raised two-thirds of the money.) – New York Magazine
Finally – A Makeover Of The NY Philharmonic’s Lincoln Center Home – Opening In 2024
The reconstruction of David Geffen Hall is finally about to happen — for real, this time. A new plan to transform the acoustically and aesthetically challenged auditorium into a more intimate, better sounding space was unveiled on Monday. – The New York Times
Classical Music’s Streaming Problem
According to a new survey commissioned by Primephonic, 34% of the 1,000 Americans surveyed are interested in listening to classical music, but only 16% actually do so. Put another way, only half of the people interested in streaming classical music are actually listening. Primephonic and Idagio ($10 monthly) — another classical music-only streaming service that launched in the U.S. in 2018 — intend to take advantage of the gap in those numbers, to improve access to classical music by offering new-user-friendly software and guided listening. – Pittsburgh Post-Gazette