Expressionist Theatre Is Alive and Well in London

Michael Billington: “‘Expressionist’ is one of those handy terms that we critics use rather promiscuously. … Now it is widely applied to anything that is non-realistic. But, however randomly deployed, it has its value. And what is striking is how applicable it is to much of today’s theatre. In the past week I have seen three productions that all, in different ways, could be labelled expressionist.”

Frederick Zenone, 74, Cellist Who Mediated Labor Disputes With Orchestras

While he was a section player in the National Symphony in Washington, DC, he “began participating in labor contract negotiations involving other orchestras and opera companies throughout the country.” Among the precedents he helped set were getting musicians the right to ratify their labor contracts and to share in recording royalties, and establishing the Code of Ethical Audition Practices.

‘Museum of Broken Relationships’ Opens in Zagreb

“[The] sometimes heart-rending tales or even just simple sentences accompanying each item bring it all to life. For example, alongside a French identity card a Slovene has written: ‘The only thing left of a great love was citizenship.’ … From Switzerland someone has donated an unopened packet containing a candy G-string. ‘He turned out to be as cheap and shabby as his presents’.”