15 Semifinalists Announced for Best Documentary Oscar

“No surprise that first-rate nonfiction films such as Davis Guggenheim’s Waiting for Superman, Charles Ferguson’s Inside Job and Amir Bar-Lev’s outstanding film The Tillman Story made the cut; ditto Alex Gibney’s stellar Client 9: The Rise and Fall of Eliot Spitzer … [and] Exit Through the Gift Shop, by the enigmatic graffiti artist Bansky.”

Is Ballet Really Dead? Dancemakers Respond to Jennifer Homans

“[In] her book, [Homans] argues that ballet companies have become ‘museums for the old,’ that too many dancers have traded artistry for ‘unthinking athleticism,’ that choreography ‘veers from unimaginative imitation to strident innovation.’ Do professional dance makers and observers agree? We asked a few for their reactions.” (Readers chime in as well.)

“Free” As A Business Model? I Don’t Think So

“In just a few years, we’ve seen incredible innovation in terms of delivering content in sophisticated ways, with new technology and rights holders working in partnership, and we’ve discovered that people are willing to pay for the really good ones – and this is just the beginning. I believe it’s detrimental to suggest that creators should be defeatist and not participate in this evolution – that what they’ve created has no value so they may as well give it away.”

As Goes The Detroit Symphony…

“Anyone close to the classical music world in the US is watching closely how the dispute plays out in Detroit because of its fundamental, almost existential, nature. At stake is not only the future of this orchestra. Also in question is the traditional focus of classical orchestras on stage performing and recording, and the very survival of America’s big-city ensembles. It is feared that where Detroit goes first, other cash-strapped cities may follow.”