In London – Musicals Rule

Musicals are the hot product in London’s West End. “Many top directors, designers and choreographers are moving from opera into high-risk musicals, many of which crash on landing.” But “there is no ignoring the energy that is flowing into stage musicals – to the point where the genre is fast becoming the art form of the decade.”

Something Borrowed (Now I’m Blue)

“Words belong to the person who wrote them. There are few simpler ethical notions than this one, particularly as society directs more and more energy and resources toward the creation of intellectual property. In the past thirty years, copyright laws have been strengthened. Courts have become more willing to grant intellectual-propert protections. Fighting piracy has becom an obsession with Hollywood and the recording industry, and, in the worlds of academia and publishing, plagiarism has gone from being bad literary manners to something much closer to a crime.”

Atlantis Discovered?

An American archaeologist says he’s found the long lost city of Atlantis. “Robert Sarmast said sonar scanning of the seabed between east Cyprus and Syria revealed man-made walls, one as long as 3 kilometers (2 miles), and trenches at a depth of 1,500 meters (1,640 yards). ‘It is a miracle we found these walls as their location, and lengths match exactly the description of the acropolis of Atlantis provided by Plato in his writings’.”

Music To The Max

Composer Sir Peter Maxwell Davies is 70 this year and being feted in a style befitting a man who has transformed the Scottish music world. “When he announced a few years ago that he had written his final symphony, and that his focus would now be centred on the intimate world of chamber music and a cycle of ten string quartets, many wondered if this was a euphemism for early retirement. In fact, as the quartets roll off the Maxwell Davies production line with remarkable ease and efficiency, a phenomenal rejuvenation process is taking place.”

No, Virginia, There Is No Oakland Ballet

The impact of a ballet company’s closure can be difficult to measure, but when the holiday season rolls around, it isn’t hard to quantify the loss. “Thousands of children who live in the East Bay from Livermore, Pleasanton, Concord, Fremont, Richmond and most of all, Oakland, have come to the Paramount Theater on Broadway for at least 30 years to get their first taste of a live ballet performance. [But] until there is an Oakland Ballet Company there can’t be an Oakland Nutcracker… Sorry, Virginia, but the world is full of disappointments.”