Oxford’s Ashmolean Museum Reopens With New Purpose

“The latest and already much-feted makeover, which has cost £61m, was not prompted by any major crisis, but is as radical as any of its precursors. A sleek five-storey structure with 39 new galleries designed by the architect Rick Mather has been slotted with surgical precision behind Charles Cockerell’s neoclassical temple of the arts, built in 1845 as a showcase for European sculpture and painting. It gives the museum a new heart and lungs.”

A New Take On Diaghilev

Drawing on a great deal of new research, and relying wherever possible on contemporary journals and letters, Sjeng Scheijen puts Diaghilev into a different frame to any of his previous biographers. He shows us a man “driven by an overpowering need to explore the mystery of human creativity in its highest form” who “resolved to transform his age and consecrate his life to the cult of beauty.”

Damien Hirst Talks About Art

Has he ever sold out? “I think I’ve got very close. There was a point I could have just churned out the spot and spin paintings for ever and laughed all the way to the bank.” Was he taking the mick out of the art market? “No. You can take the piss out of art, but I don’t think you can take the piss out of the art market. All markets are serious.”

Copyright Bomb Set To Disrupt Music, Publishing Industries

“At a time when record labels and, to a lesser extent, music publishers, find themselves in the midst of an unprecedented contraction, the last thing they need is to start losing valuable copyrights to ’50s, ’60s, ’70s and ’80s music, much of which still sells as well or better than more recently released fare. Nonetheless, the wheels are already in motion.”