Happy endings don’t happen often during a novel coronavirus pandemic. Marsalis, eighty-five, died in New Orleans of complications from the virus on April 1. But when the crying is over and Marsalis gets the jazz funeral he deserves, even the most sober study of his contributions to music might begin with a celebratory cork popping from a bottle of champagne. Jazz spoke to him early, in a way that no music had before, and in its service, his character was revealed. – Oxford American
Tag: 11.10.20
Have A Look Inside The Italian Police’s Vault For Stolen Art
A modest three-story building on the edge of Rome’s Trastevere district is where the Carabinieri Tutela Patrimonio Culturale keep thousands of artworks for as long as they are considered evidence in legal cases. Says one officer at the facility, “Usually, we give back the pieces a few days after seizing them. But some cases take longer, there are several counterclaims, and the objects stay here for years.” – Atlas Obscura
The New Realities Of Live Music In Clubs
“It’s a new normal for these concerts, and yet another uncanny valley of the post-Covid world: a social experience where we can’t socialise; a show where dancing, hugging and head-banging are essentially illegal. Sweaty dance floors and beer queues are out, replaced by parlour-style seating and severely reduced capacities, often resulting in artists performing multiple shows a night. Dinner and a show has, against all odds, become the norm again.” – The Guardian
UK Culture Minister Questions The Value Of Public Broadcasting
The BBC is just one piece of a bigger puzzle. The world has changed, and every broadcaster needs to change with it. So I’m taking a close look at the future of our entire public service broadcasting system. That includes ITV and Channels 4 and 5 – and S4C in Wales and STV in Scotland, both of which are important to those nations. – The Telegraph (UK)
Covid Fan Tutti: Opera In Exotic Places
LA’s Pacific Opera Project’s unconventional, often playful productions have included a bilingual “Madama Butterfly” performed in the Aratani Theatre in L.A.’s Little Tokyo; a “Magic Flute” that took its cue from 1990s video games; and at the outdoor Ford Theatres, a version of Mozart’s “Abduction From the Seraglio” staged as an episode of “Star Trek.” Still, the company has done nothing quite like what it is attempting in the parking lot of Camarillo United Methodist Church in Ventura County, about an hour’s drive northwest of downtown L.A. – Los Angeles Times
How A Biden Celebration Ad Borrowed From An Iconic Work By Artist Lorraine O’Grady
“The video shows Americans from various backgrounds and hailing from different parts of the country holding empty golden picture frames to the tune of “America the Beautiful.” The video is a reference to O’Grady’s iconic 1983 performance “Art Is…” in Harlem, New York. In the performance, 15 performers, dressed all in white, carried empty gold picture frames during the annual African American Day Parade, inviting members of the community to pose as the subject of the artwork.” – Hyperallergic
An Architecture Critic Considers The Four Seasons Total Landscaping Venue
Four Seasons Total Landscaping joins the slabs of forlorn border wall and the graffiti-encrusted bathroom in Lafayette Square as the real monuments of an administration intent on ugliness and pathetic façades. Maybe the choice of venue was a not-at-all understandable mix-up. – Curbed
A Dance Critic On The Dancing In The Streets When The Election Was Called
Gia Kourlas: “Last weekend, the explosion of dance — which overtook social media, making it seem like it was happening everywhere — was a celebration of community. But for those of us in the dance world it emphasized another point: While the pandemic will continue to prevent public performances for what now looks to be another year or so, dance is still alive in the world. … Dancing is not just about moving your body, but reclaiming it — and with that, your faith in the world.” – The New York Times
The Dance World Is Making Peace With This Online Class Business
“In the time between COVID-19’s first worrisome appearance in the U.S. and, for many, months of shelter-in-place orders, dancers and teachers alike found their opinions of online learning shifting: from outright resistance, initially, to begrudging acceptance, to — for some — actual enthusiasm.” – Dance Magazine
Research: How Coronavirus Changed TV Viewing Habits
Coronavirus fundamentally changed people’s reasons for watching TV. Whereas before it was often associated with distraction and unwinding, the people we spoke to were rife with anxiety and turned to TV to relieve the stress of COVID-19. Television provided a sanctuary during lockdown for those seeking familiar and “safe” content which offered an escape from the worrying realities of the pandemic. – The Conversation