Making Sense of Stockhausen, One Year After His Return To Sirius

Philip Hensher: “It seems a tragic justification of the career of the author of Gruppen that it would lead, in the end, to a multi-million selling pop album called OK Computer. But such Lilliputian testaments were very much in the air in 2007 because, for the best part of 30 years, the people who understood what had made Stockhausen interesting in the first place were generally not willing to stand up for his whole career. Since the mid-1970s, the composer who had once ruled a vast swath of contemporary taste had turned into a curiosity.”

… Well, Björk Understands Him

“I remember sitting in [Stockhausen’s] studio in Cologne, surrounded by 12 speakers, him creating a current traveling up and down, swirling around us like the force of nature that electricity is, my insides pulsating to his noise… Now the 21st century has started, Karlheinz was right, things are great, we are communicating telepathically, of course (as he prophesied), and music schools have changed.”

Inside Clézio – Getting To Know The Work Of This Year’s Nobel Lit Winner

Few Americans had read the work of J.M.G. Le Clézio when it was announced he had won this year’s Nobel for literature. “More philosopher than deviser of intricate characters or plots, Mr. Le Clézio is like a post-Darwin Rousseau, decrying the ruination of indigenous cultures around the world, often through the eyes of a child. At the same time, he is fascinated by the callousness of nature. In more than one novel he descends below grass level to record the brutality of insects.

Proposed Plan To Use Wireless Spectrum Could Hurt Broadway

Broadway’s entire operation now depends on wireless microphones. So a proposal to make unused spectrum pathways that exist between digital TV signals available to the telecommunications industry has the theatre industry worried. “A proliferation of wireless devices in overtaxed areas such as Times Square, which overlaps with the theatre district, could cause serious disruptions to live performances.”