Publisher Tom Maschler, Founder Of Booker Prize, Dead At 87

At the helm of the UK publishing house Jonathan Cape, “he discovered or helped advance the careers of such acclaimed authors as [Kurt] Vonnegut, [Gabriel] García Márquez, John Fowles, Thomas Pynchon, Ian McEwan, Edna O’Brien, Clive James, Martin Amis, Julian Barnes, Salman Rushdie and Bruce Chatwin.” In fact, 15 of his authors (so far) have won the Nobel Prize for Literature. – The Washington Post

Philadelphia’s Kimmel Center, Battered By Pandemic, May Have To Rework Its Entire Business Model

“Until its COVID-forced closure in March, the Kimmel was earning 93% of its income,” mainly from touring Broadway shows and rent from its resident groups, “leaving just the small remainder to be made up in donations — an unusually lopsided ratio among nonprofits. Now, though, with ticket sales gone, the Kimmel cannot lean on a list of loyal donors to the extent that some other groups can.” – The Philadelphia Inquirer

Wagner – Too Big To Cancel?

It is his instability—which enlists the audience in active and ongoing negotiation and interpretation, changing as we grapple with him at different historical moments—that makes him relevant. The music may be astonishing, the ideas volatile. Which will have the longer and more consequential afterlife? Perhaps more compelling than either, Ross suggests, is the irreconcilability of the problem. – Slate

Actors Unions Fight For Who Represents What

SAG-AFTRA, which has long claimed jurisdiction over the taping of live shows, offered Equity a limited waiver during the pandemic, but Equity rejected it, accusing SAG-AFTRA of “looking to use a pandemic to claim jurisdiction in Equity workplaces now and into the future in a way they haven’t had before,” and disrupting the relationship between employers and actors “that has existed for years, if not decades.” – Deadline

Australia Council Flips Out, Pulls Funding From Artist

It’s remarkably reminiscent of the NEA Four, for those who lived through that terrible time: A queer artist wants to use their body for their work; gets approval and funding; word is leaked to conservative outlets; said outlets absolutely flip out and condemn the council; council removes funding. All too gross and familiar. “The decision to kill the contract raises worrying questions about the potential government overreach and the possibility of censorship in Australian cultural policy at a time when the financial crisis in the sector is already threatening to shut out marginalised voices for good.” – The Guardian (UK)

Doing Live Opera In Vienna During The Pandemic

To be in live opera right now, soprano Lisette Oropesa gets constant COVID nasal swabs, writes down everyone she’s spent more than 15 minutes with, and wears a mask in the building except when she’s on stage. “Now we are in close quarters, you just have to trust that you’re negative and everyone else around you is negative, and at the time it’s okay to touch and sing close to each other. But it’s still a tiny bit never-wracking.” – The Irish Times