That Guy Who Put A Peeing Dog Next To The ‘Fearless Girl’ Statue? He Got Run Over By A Subway Train

Alex Gardega, who responded to what he called the “corporate nonsense” of the State Street Bank-sponsored “Fearless Girl” statue on Wall Street by placing his “Pissing Pug” statue at its feet, was hit by a downtown no. 6 train on the Upper East Side of Manhattan. (He had evidently been on the subway tracks.)

Thousands Of Languages Are Dying. A New Project Aims To Save Their Poetry Before It Falls Silent

“Languages are dying out at an astonishing rate: a language is being lost every two weeks. And each of those languages has a poetic tradition of some sort, whether it’s written or aural – within that poetry will be all the different approaches and styles of writing poetry, as well as everything that poetry can tell us about those people: what they’re interested in; what their concerns are.”

After Four Years Off, Mabou Mines Revives Itself And Gets A New (Old) Theater Of Its Own

The 50-year-old company, a legend of the late 20th-century downtown avant-garde theater scene, is back at the old P.S. 122 building, just renovated, in Manhattan’s East Village. Reporter Zachary Small visits the new Mabou Mines HQ and talks with co-artistic director Sharon Fogarty and company co-founder Lee Breuer, who – at age 80 – is premiering a new play there.

Creativity Versus The Arts

I think these creative endeavors resonate with people because they are grounded in each participant’s lived experience (rather than universal plots or a reflection of someone else’s perspective) and, as such, they cannot help but be authentic. Perhaps what we call “bad” or “amateur” art isn’t because of “aesthetics,” but because it feels derivative of some form that already exists rather than growing from this place of fearless, individual experience. But how then do we nurture this creative authenticity?