THE LINES BETWEEN JAZZ AND CLASSICAL…

Pianist Uri Caine is rewriting Bach (Mahler and Schumann too) and has some ideas about connecting jazz and classical music. “The success of a project like this depends on Caine demonstrating to the classical players that improvisation is not desecration; and convincing the jazz players that Bach’s discipline still allows them room to manoeuvre. ‘If the musicians are open to it, it works’.” – The Independent (UK)

I WRITE THE CHECKS…

Alberto Vilar has become the Daddy Warbucks of the music world. In the past few seasons he has given some $150 million for projects he likes. “Mr. Vilar has not been shy about demanding displays of gratitude commensurate with such gifts. At the Met, for example, an operagoer may now sit in the Vilar Grand Tier or dine at the pricey Vilar Grand Tier Restaurant. As a result, he has become an easy target for critical barbs, particularly in Europe.” – New York Times

I WRITE THE CHECKS…

Alberto Vilar has become the Daddy Warbucks of the music world. In the past few seasons he has given some $150 million for projects he likes. “Mr. Vilar has not been shy about demanding displays of gratitude commensurate with such gifts. At the Met, for example, an operagoer may now sit in the Vilar Grand Tier or dine at the pricey Vilar Grand Tier Restaurant. As a result, he has become an easy target for critical barbs, particularly in Europe.” – New York Times

WHAT’S AN ARTISTIC DIRECTOR TO DO?

Recent productions at London’s National Theatre bring up questions about the role of the artistic director. Trevor Nunn recently spent a lot of time “fine tuning” another director’s production of “Romeo and Juliet.” But critics are beginning to ask – shouldn’t the artistic director be out developing new talent and bringing it into the theatre rather than fixing broken plays? – The Independent (UK)

DISNEY’S THEATRE PLAY

Critics commonly trash Disney for its commercialism and bland focus. So many were surprised when “Lion King” showed up on Broadway a few seasons ago and turned out to be an artistic success. Now Disney’s into theatre in a big way, and there are reasons beyond just money. “Disney’s interest in theater may also be due in large part to the fact that people who know and love theater are running the show.” – Los Angeles Times