How Did Argentine Dancers Get To Be So Great?

“Around the world, there are prominent Argentine doctors, scientists, international-law experts, conductors, musicians. This is especially striking in the world of dance. Ballet was more or less a twentieth-century import to Argentina, brought by travelling troupes like Diaghilev’s Ballets Russes, but its roots have dug their way down deep.”

My Relationship With Critics

Jack Reuler has worked in theatre in Minnesota and says critics have been an important part of the the community there. “Like with any body of people, some are wonderful and some are assholes and many are in between. Similarly, the real test of a critic is not how well or how often they rave or how viciously they eviscerate, but how they write about the 90 percent of the shows that fall between those extremes.”

Why Sergei Polunin Made A Movie – And Why He Thinks Dancers Need More Movies

“I thought of building a better system, like the movie industry. I talked to David, and he asked, “Do you have an agent?” When I told him no, he said, “How do you guys get work if you don’t have an agent?” Then I talked to Ralph Fiennes and found out he has huge support; he has managers and agents and a company. Dancers don’t have that, and I realized that’s the key. That’s what we need to create, because that creates the industry.”

Procrastination: A Philosophical Meditation

“Idleness is difficult to find in a pure state. Indeed, in a certain sense, it eludes us because, at its most radical, idleness tends to devour its devotees (again, Oblomov and Bartleby). But procrastination is a different business altogether: It is not only more available, but also more dynamic, just as the procrastinator is a more dramatic figure than the idler, who is as ascetic and immobile as a pillar saint.”

Fierce Grief: Pulse Nightclub, Activism, And The Ways That Gay Folks Mourn

“If there is a distinctive power to queer grief, it lies in the styles of mourning that have emerged from queer cultures over time. These styles set the shape and tone of the activism that comes out of grief – and activism, of course, is itself a type of mourning. To address Polgreen’s question, we must examine how queerness behaves when it is at a loss. How a community grieves can tell us a lot about who they are.”

Narrative Architecture – How The New African American Museum Facade Tells Stories

David Adjaye calls this concept “narrative construction.” It’s a mode of architectural storytelling embodied in the museum’s façade, a three-tiered, trapezoidal structure inspired by the staggered crown of an early 20th century Yoruban sculpture that Adjaye encountered in a book from his personal library. (The same sculpture is currently a centerpiece of the museum’s fourth floor Culture Galleries.) Adjaye calls it “the Corona.” Its edges, he says, also mirror the rake of the neighboring Washington Monument.

Jurgen Habermas, Guide To The Enlightenment

“Even at his ripe age — he is now 87 — Habermas’s passion remains undiminished. As a public intellectual, however, he may seem an unlikely hero. We live in an age when what some of us still fondly call ‘the public sphere’ has grown thick with personalities who prefer the TED Talk to the printed word and the tweet to the rigors of rational argument. For Habermas, it’s clear that without the constant exercise of public deliberation, democracy will collapse, and this means that citizens must be ready to submit their arguments to the acid bath of rational criticism.”