Richard Florida: We Need To Save Our Arts Infrastructure

We cannot allow this piece of our social and economic infrastructure to fall apart. Our creative economy of arts, culture, design and entertainment is no mere luxury. It is one of the three key sectors that power innovation and economic growth. More than gross domestic product or economic power, the true measure of a nation’s vitality and resilience is its cultural and technological creativity. From Louis Armstrong to Beyoncé, and from Irving Berlin to Lin-Manuel Miranda, arts and culture reflect and reinforce the power of our diversity. – USA Today

The End Of How We Do Higher Education?

With universities and colleges in desperate need of funds far in excess of the $14 billion in federal stimulus money allotted by the CARES Act, Covid-19 may well be what some have called an “extinction-level event” for higher education. Schools often run deficits in normal times; in 2019, nearly 1,000 private colleges were already borderline insolvent. Covid will cause many to shutter for good. It is accounting, not epidemiology, that drives university administrators to push for a rapid return to business as usual, effectively demanding that faculty and staff sacrifice their lives for the financial health of their employer. – The New Republic

At This Point, Should Australia Even Have A National Opera Company?

“Opera is an urban art form par excellence. … Now, however, under the shadow of COVID-19, the future of the city itself is under question; the rise of video platforms like Zoom seems to make the necessity of ‘being there’ no longer a necessity.” Opera Australia gets more government funding than any other performing arts institution in the country, but for the company to travel even from Sydney to Melbourne twice a year is very expensive, let alone touring anywhere else. Peter Tregear argues that it’s time to consider a more grassroots, locally-based approach to the art form. – The Conversation

Jazz Bassist Gary Peacock, 85

Peacock’s personal philosophy enabled him to work with a wide variety of musicians and facilitate great depth in those sessions. In a 2017 interview, he told Ken Bader of the Arts Fuse,I’m not after my statement or my identity as a bass player or improviser. It’s not about me. It’s about the music. It’s about my responsibility to be in a particular place that other people can share, enjoy and feel something.” – NPR

Film Festivals Lose Something Essential When They Go Virtual

From the outside, many of these events look incredibly glamorous, even excessive — none more than Cannes, with its black-tie premieres in the Palais and its exclusive yacht parties off the shore. As such, it’s not hard to imagine civilians questioning why the world might need such gatherings during a time of austerity and caution. But the truth is, film festivals serve an essential function to the ecosystem of cinema that can’t be reproduced by virtual events. – Variety

Kafka’s ‘Metamorphosis’ Has Become A Video Game

In the transition to the new medium, though, the story has metamorphosed as well. It’s now a mashup with The Trial, starting off with Gregor Samsa awakening with (what he thinks is) a hangover in Josef K.’s apartment after celebrating the latter’s birthday. Most of the other characters in the game are also insects (one complains about his ex-mate and having to pay “larva support”) that Gregor meets as he (i.e., the player) makes his way to “the Tower.” – The Washington Post

PEN America’s New President On Cancel Culture, Literature And Politics

Pulitzer-winning playwright (Disgraced, The Invisible Hand, Junk: The Golden Age of Debt) and novelist (the new Homeland Elegies) Ayad Akhtar: “I’m not convinced that literature is the best way to form political opinions. It’s the great form of nuanced intellectual discourse. We can have profound conversations about literature, but I’m not sure that political opinions — like who to vote for — are the purview of literature. But increasingly everything has become politicized, and I think an organization like PEN has to acknowledge that.” – The New York Times