Reading Shakespeare in Kandahar

“At its core, Titus Andronicus is a play about how good people can become unhinged and indeed overwhelmed by the need to avenge. It is about how powerful people surrender themselves to cycles of violence, how tribal and religious customs unequivocally demand retaliation, and how two tribes’ or two religions’ speaking past rather than with each other can lead to chaos.” Relevant to Afghanistan, perhaps?

Joint Custody Of Art, The Issues

“The agreement, and the regular movement of the gospel between Durham Cathedral and the British Library, raises many interesting issues—how to weigh the claim of the metropolitan centre, with its global traffic of tourists and scholars, to possess the greatest treasures on the grounds that they are of more than “regional” importance against the claims of a local and religious identity which, unusually, can claim genuine continuity over more than 1,000 years?”

When A Bare Stage Fills The Theater

“Theatergoers, especially the kind who regard Broadway as Mecca, expect their seats to come with a breathtaking view. I mean of scenic scenery that gives its own spectacular performance … But for me, the most visually magical productions are often those in which the stage is a blank canvas, waiting to be written upon by the performers who inhabit it.” Ben Brantley offers some examples and asks readers for more.