Coming To Terms With ‘Slut’: What A Woman Faces When She Publishes A Sex Memoir

Robin Rinaldi: “As a protagonist, I was far from perfect. As a writer, I struggled as best I could to tell the raw truth about how these issues played out in my life. … But it’s the combination of social media and sexism that filters an entire range of potential feedback down to its surprisingly predictable essence, as I learned from tweets and Facebook messages directed at me after my book was published.”

The Internet Of Way Too Many Things

Allison Arieff argues that the development of the so-called “Internet of Things (“you know, that thing where a bunch of other things will be connected to the Internet”) is now plagued by “the tendency … to throw excess technological capability at every possible gadget without giving any thought to whether it’s really necessary.”

Best of today’s AJBlogs 09-06-15

How One Playwright Imagines The Audience She Writes For

“For me, thinking about this big audience makes my play bigger, because the things I’m worried about right now—getting my son into a good high school, you know, etcetera, etcetera—I’m not sure I want to be writing plays about that. I feel like the playwright is in the business of imagining bigger worlds, and by putting the audience there—especially with the class spectrum—I feel like the plays get deeper and bigger.”

Has Imogen Heap Figure Out A Way For Musicians To Take More Control Of Their Music?

“Borrowing the idea from the digital currency bitcoin, Ethereum records information on a public database in a chronological way that prevents copying, tampering, fraud or deletion. It’s a new anonymous, decentralised, uncensored internet, and a new way of controlling and storing digital information. It’s not designed for music – it’s designed for whatever people want to use it for. One key aim is to create purer, more efficient markets. But it just so happens to be perfect for what Heap is planning.”