Tag: 08.20.20

The Ongoing Reckoning In The Publishing World

Publishing has rather a lot to do to catch up in the diversity, equity, and inclusion fronts. Lisa Lucas, the outgoing director of the National Book Foundation, who is Black, says, “What do you do with data that tells us we’re not diverse enough for the year 2020? We make the culture — we make books. If we are serving a whole country, then we need people within our publishing houses who reflect what our country looks like.” – GEN

What Democracy Looked Like, In Ballot Form

Even before the colorful public ballots of the early United States, actually, “people used the viva voce system, rooted in ancient Greece, where voters announced their candidate to a clerk. In some US colonies, voters would use objects, like corn and beans, to vote yea or nay; and in other states, people would line up on opposite sides of a road to signal how they were voting.” – Hyperallergic

Zoom Theatre After The Pandemic

Assuming that it ever ends – with a vaccine or some kind of terribly expensive, in human life terms, herd immunity – Covid-19 may leave a theatrical legacy that’s hard to shake, at least for a while. And there are some small advantages. “One benefit of staging productions on Zoom, Ridgely says, is the ability to reach a much larger audience than is generally possible with live theater.” – St. Louis Post-Dispatch

Mass Layoffs Has US, UK Museums Rethinking Their Roles

The current crisis raises the question of what exactly a museum is. Is it a collection of objects, or the staff that bring those objects to life and makes them accessible to the public? ‘We need to think about museums not only as repositories for things […],’ Nicole Cook, a member of the Philadelphia Museum of Art Union organising committee, writes via email, ‘but rather as vital centers for scholarship, education, and community, all core activities that revolve around people – and more pointedly, activities that rely on fully staffed museums.’ – Apollo

Art Basel Goes Virtual, Charging Galleries For Virtual Booths

Art Basel organizers plan to present two new online viewing room initiatives in September and October, which they describe as “freestanding, thematic editions.” Unlike previous iterations of the Art Basel-branded viewing rooms, these will not be provided free of charge to exhibitors at the physical fairs. Instead, Art Basel will charge a flat fee of CHF 5,000 ($5,500) for each of the new editions. – Artnet

Theatre Reform: We Shouldn’t Work So Many Hours

“It’s this process that we have spent decades, centuries developing in theatre of how much time it takes to make the thing. In my experience, the process will expand to fill as much time as you give it. So we’ve put ourselves in a place where we say, it’s going to take this many weeks to rehearse and this many hours to tech, and we take that as gospel now.” – American Theatre

A Historical Disinclination To Theatre

One of the key facets of Jonas Barish’s argument is that, throughout history and across cultures, theatrical activity has almost always been met by vociferous opposition. From ancient Greece, when Plato wrote that acting and the theatre would be excluded from his ideal state, to the Soviet era in Russia, when strict governmental regulation dictated what type of work theatre artists were permitted to create, theatre has been subject to both philosophical criticism and material censorship. – Howlround