Is Art Facing A Crisis Of Beauty?

“I realize that the various arts councils see art as a communications strategy, a way of encoding statements of moral good in visual form. Long ago they surrendered any faith in the aesthetic. What’s so much worse is that many artists seem to share this. But I think I understand. Adorno believed that aesthetic experience was rooted in experiences of natural beauty. If nature is threatened, so too is aesthetic experience. Hence the looming loss of faith.” – Momus

Blackface Opera Controversy In Verona This Summer

Tamara Wilson: “Operas like Aïda and Turandot were written for and performed by white European singers in, what was at that time acceptable, theatrical makeup to make them appear African or Asian. In theatre history, the terms blackface and yellowface would be applied, but today, especially in the U.S., these terms also have historic racist connotations. It is more and more difficult for opera to navigate this line between depicting race versus negative stereotype because they are viewed differently depending on where you are in the world and the individuals in the audience.” – Forbes

The Artist-Architects Who Thought Their Buildings Could Help Their Inhabitants Live Forever (By Driving Them Nuts)

“Madeline Gins and her husband, Shusaku Arakawa (who went only by his last name), 1960s New York conceptual artists and amateur architects who are regarded as a bridge between the Dada and Fluxus movements, … posited that buildings could be designed to increase mental and physical stimulation, which would, in turn, prolong life indefinitely. An aversion to right angles, an absence of symmetry and a constant shifting of elevations would stimulate the immune system, sharpen the mind and lead to immortality.” – T The New York Times Style Magazine

Going Through The Archives With Bill T. Jones

Reporter Michael Cooper joins the choreographer as he examines photos from the history of the Bill T. Jones/Arnie Zane Company and tells stories of the time Robert Mapplethorpe photographed the diminutive Zane carrying the very large Jones on his shoulder, why he had to change the title of one of his most famous works from the original Last Supper at Uncle Tom’s Cabin Featuring 52 Handsome Nudes, and the evening he told an Italian audience, “Tonight, I am the Pope” and got denounced by the Vatican the next day. – The New York Times