A Racist Classic We Should See

Last week, a Los Angeles theater owner canceled a planned screening of D.w. Griffith’s 1915 movie “The Birth of a Nation” after civil rights groups promised protests. But the movie ought to be screened, not suppressed, argues Renée Graham. “Much like Leni Riefenstahl’s 1934 Nazi propaganda documentary ‘Triumph of the Will,’ an equally acclaimed, equally troubling film, ‘The Birth of a Nation’ is a painful totem to our own intolerance and to how such ill feelings still vex us today.”

New York – Where We Subsidize Movies?

“State lawmakers have approved the first tax credit to benefit film and television productions in New York, and many in the industry say the incentive will help lure more film productions to the city and the state and counter the flight of film jobs to Toronto, Vancouver and Montreal. … In addition, the measure would permit New York City to contribute as much as an additional $12.5 million annually to the tax credit program.”

Box Office Vs. Ballot Box

With “Fahrenheit 9/11,” “The Day After Tomorrow” and the remake of “The Manchurian Candidate,” it has been a summer of political relevance at the multiplex. But will any of that have an impact on the presidential election? Not likely, Jon Margolis contends. “Let’s face it, the number of times a movie has altered public opinion on any issue can be counted on the fingers of no hands.”

For Harlequin Readers, The Romance Is Fading

Romance publisher Harlequin Enterprises intends to woo them back, but for now many readers have strayed from the genre, irresistibly attracted to other kinds of books. “Explosive growth in the market for women’s fiction, particularly in newer genres like chick lit and women’s thrillers, has been drawing readers away from traditional romance novels, those formulaic bodice-rippers stocked with hunky heroes and love-conquers-all endings.”