The Death Of The American Dance Critic

“Today there are only two full-time dance critics in the country … For a medium that can be difficult to understand, generalist coverage remains vital to the accessibility of the dance scene. As Deborah Jowitt, the former Village Voice critic, put it: ‘If art is valuable as a reflection – of a time, of a place, of a creation – then dance is just as important as literature or film, even though the audience for it is smaller.”

An Unwitting Young Teen Viral Star Grows Up

“More than any other 18-year-old alive, Rebecca Black is all of our anxieties about oversharing online made flesh: the fact that more than 350 million photos are shared to Facebook each day and 300-plus hours of video hit YouTube every minute; the nagging sense that kids born into a world where social networking exists are worse off — when it comes to college applications, job prospects, romantic relationships.”

Hip-Hop’s Battle Over Authenticity And Ownership

“Unlike other art forms, the idea of authorship is tied into hip-hop’s DNA. At the birth of rapping, rappers didn’t quite own the music, which was stitched and spliced together by a DJ from breaks. But they did own their lyrics, which were a form of currency. The four elements of hip-hop — MCing, DJing, dancing and graffiti — are all tied into things one can create for oneself. One doesn’t have to follow a fundamentalist’s or purist’s line to accept that — despite the mutations of vocalization, production, movement and art in the genre — the idea of making something from nothing, of authenticity, of realness is tied into hip-hop in a way that is absent in other musical spheres.”