At Sweet 16, Guest-Conducting The Atlanta Symphony

“Outstanding young violinists or chess masters or tennis pros are common. Conducting prodigies are extremely rare, however, because leading an orchestra is a cumulative art that’s rewarded by life experience. It’s about persuading 100 independent-minded virtuoso musicians to take direction and inspiration from the tip of a slender little baton. … Now meet Ilyich Rivas, 16.”

Racial Outrage Prompts New Cover For Children’s Book

Justine Larbalestier’s Liar, to be published in October, is getting a redesign. “Bloggers, commentors and the author herself had criticized the publisher’s choice of a white girl with long, straight tresses for [the cover of] a novel about an African-American girl with ‘nappy’ hair.” Bloomsbury Children’s Books said the original design “was intended to symbolically reflect the narrator’s complex psychological makeup.”

John Hughes, ‘The Steven Spielberg Of Youth Comedy,’ Dies At 59

Richard Corliss: “Hughes generated successful movie-comedy franchises as fast as other people wrote postcards. First the National Lampoon Vacation films … Then the teen movies” – Sixteen Candles, The Breakfast Club, Pretty in Pink, Ferris Bueller’s Day Off – “not strictly a series but with more or less the same rep company of kids. And then the blockbuster Home Alone” and its sequels. (Not to mention the movies about Beethoven the enormous dog, written under a pseudonym.)

‘Leave It To The French To Stick Tarzan In A Semiotic Jungle’

“Edgar Rice Burroughs’s famous ape man is the subject of a [highly popular] summer show at the Musée du Quai Branly … Its organizers cogitate, with Gallic élan, on Tarzan’s proto-environmentalism; his philosophical roots in Rousseau and the 19th-century nudist movement; his literary antecedents in Kipling and H. M. Stanley; and his mythological reliance on the stories of Hercules and Romulus and Remus.”

Rediscovered William Inge Scripts Could Change Views Of His Work

“In a small Kansas town that inspired some of William Inge’s most melancholy characters, about two dozen never-before-performed plays are poised to become the found treasures of his collected works. These plays were not hidden in the proverbial cedar chest in a dusty farmhouse but languishing in a college library in obscurity and solitude, like a tragic Inge heroine.”