Ballet Nouveau Colorado Seemed So Healthy – How Could It Have Come to the Brink?

It’s three years since artistic directors Garrett Ammon and Dawn Fay arrived, and the company “has garnered a lot of fans and friends in that time as its sophisticated, energetic choreography and genre cross-pollinations have caught the attention of the national dance scene.” Now Ballet Nouveau need to raise more than $150,000 in the next week to avoid suspending operations. What happened?

Library of America’s New House Blog on the Classics

“The Library of America, the nonprofit publishing house dedicated to creating an in-print library of editions of America’s greatest works, launched its first blog Friday. Called Reader’s Almanac, it focuses on joining the current online discussions that touch on the works and authors in the publisher’s catalog, such as William Faulkner, Jack Kerouac, Mark Twain and Walt Whitman.”

‘Towering Ambition’ – Recreating Emblems of Architecture in Lego

An exhibition at DC’s National Building Museum features facsimiles, by “Lego master” Adam Reed Tucker, of such icons as the Empire State Building, Dubai’s Burj Khalifa, the Gateway Arch, Fallingwater, and Calatrava’s never-built Chicago Spire. “The Lego brick … [is] the perfect toy for the age in which it was introduced, which helps explain why Tucker’s models have a cultural power that ordinary architectural models might not.”

Why Todd Solondz Says, ‘My Movies Aren’t for Everyone, Especially People Who Like Them’

Of a college student who had just seen Happiness: “He was a little drunk and he came up to me and said, ‘Oh I loved your movie, it was awesome. Wow! Man, when that kid was raped, that was hilarious!’ And I knew then that I was in trouble, and that I was playing with fire, and that I couldn’t control the way in which the movie would be experienced.”

Nabokov’s ‘Pale Fire,’ The Poem – Can It Stand on Its Own?

There’s a longstanding disagreement among Nabokov fans about the eponymous 999-line poem at the center of the novel Pale Fire: Can the poem be taken seriously as literature by itself or is it inseparable from the annotative footnotes (putatively by the madman who stole the manuscript of the verse) that form the rest of the novel? This fall, a publisher is releasing a freestanding version of the poem – as a book-cum-objet d’art – that’s certain to reignite the controversy.