‘A Musical Whose Time Has Gone’: Three D.C. Critics Have At ‘Phantom Of The Opera’

Anne Midgette: “With its emphasis on spectacle and size, Phantom certainly reflects a particular era of musical theater: the stage equivalent of 1980s-style big hair.”
Philip Kennicott: “Phantom looks better today than it did when it was new … [it] seemed to me then as it does now a testament to the degradation of theatrical taste.”
Nelson Pressley: “Now I sort of like the kitsch.”

What Will The Internet Of Things Mean For Theatre?

“Performers, audiences, and spaces can influence and manipulate each other, and the input-output system. In the classic theatre—the technician over there is sitting in the dark and is not supposed to be seen. But they’re there and they’re everywhere. The interesting thing is the whole theatre space is rigged in a very hierarchical way. But the Internet of Things is modular, so the idea is that everybody in the room can potentially become the operator or performer of a given system.”