Italy’s Plan To Protect Art From Terrorists

Italy has announced heightened plans to protect cultural sites from terrorist attack. “Measures will include placing metal detectors in museums, a complete ban on backpacks and bags, the cordoning-off of areas adjacent to monuments, and monitoring of queues. Florence, Venice, Rome and Palermo, as well as Assisi and Pompei are likely to top of the list of cities where the anti-terror measures will be deployed.”

Detroit Is Closing Its Arts Office

Many cities in Michigan have been “building economic development strategies based on the strengths of vibrant cultural activities.” But Detroit has decided to close the Department of Arts, Culture and Tourism in an attempt to reduce the city’s $300-million budget shortfall. “We all understand that Detroit’s policymakers have more demands than they have dollars, but arts and culture pays for itself many times over. And if a stronger economy is the destination we seek, arts and culture in Detroit is one of the best ways to get there.”

Guthrie Reports A Mixed Year

Minneapolis’ Guthrie Theatre reports its lowest number of subscribers in seven years. “The Guthrie, which has been led since July 1995 by artistic director Joe Dowling, reported total revenues of $18.6 million and total expenses of $20 million. After a $1.4 million transfer from other funds, the Guthrie had a surplus of $25,874. The theater reported 27,172 subscribers for the 2004-2005 fiscal year — 3,000 fewer than the previous fiscal year.”

An Ode To Ballet

Ballet has all other artforms beat hands down, writes Charlotte Higgins. “There is no other art form that is so highly evolved, sophisticated, sublime, where absolute discipline of technique is allied with grace, beauty, sensuality and pure emotion. Ballet – ballet is another world. Ballet is about limbs and bones and muscle, about flesh and skin. It is visceral. Ballet is about what it means to be human while the blood pumps through our veins; about the things that are too strange, dense and delicate to be strangulated by human speech or song.”

Colorado Loves Theatre (But Mostly One Theatre)

“Colorado theaters drew 1.7 million patrons and generated $54 million in ticket revenue in 2004, according to a first-of-its-kind survey by The Denver Post. Pretty good for a state of 4.6 million people. But then there’s the tragic frown: Nearly half of those who attended the theater anywhere in Colorado went to a show at the Denver Center for the Performing Arts. That’s great news for the largest performing-arts center between Chicago and Los Angeles. It is not such good news for the nearly 100 other theater companies in Colorado fighting over the other half.”

Broadway – The Disney Years

“Broadway has never truly been owned by anyone, but its eras always have been defined by the proliferation of a particular producer or creative team. Forty years before Mackintosh and Andrew Lloyd Webber, Richard Rodgers and Oscar Hammerstein had five musicals running at the same time. Producer Manny Azenberg once had seven shows running simultaneously. “And how many shows did David Merrick have running at one time?” Schumacher asked. Still, this is unmistakably Disney’s time on Broadway – and all things Disney-like.”

Are Podcasters The New Rock Stars? (iTunes Can Do It)

The way to get famous in the podcasting world is to get a spot on iTunes new podcast subscription lists. But “the switch came suddenly and without warning, turning a long list of mom-and-pop online audiocasters into overnight sensations, crashing servers across the nation and minting new internet stars in a way not seen since the early days of blogging.”

Shakespeare In The Original English

London’s Globe Theatre is going to stage a production of Shakespeare in what is thought to be its original pronunciation. “Actors in Troilus and Cressida will recite their lines with accents believed to have been heard on the stage during Elizabethan times. It follows on from brief experiments with original pronunciation during the company’s run of Romeo and Juliet in June 2004.”

Is The 21st Century The Return Of Amateur Culture?

Professor Lawrence Lessig says he thinks so: “If you think of the 20th Century as this period of professionalising creativity – you’ve got the film and recording industries which become the professional creators, separating and stifling in many ways the popular culture. I do not think you are going to see the elimination of the professional creators but you are going to see it complemented by a much wider range of amateur culture in the original sense of the word amateur – in that people do it purely for the love of creating.”