Street Theatre Takes Off In The Slums Of São Paulo

“In Heliópolis, one of São Paulo’s largest favelas, the trial of a black youth agitates the community, which argues for his innocence. In a train heading to Jardim Romano, an audio brings the history of the region to the passengers’ ears, and culminates with a final point: the rains and flooding. In the very south of the city, the body of a dead person is reanimated with Brazilian funk music. These three stories, told in three stage plays, are representative of the theatre scene that has exploded in São Paulo in recent years.” – Global Voices

Star Immersive Art Collective Meow Wolf Sued For Gender Discrimination And Unfair Labor Practices

“Two former employees of Santa Fe-based immersive arts and entertainment company Meow Wolf allege in a new lawsuit they were subjected to discrimination and unfair pay practices, and then wrongfully fired after bringing complaints to senior staff. … [They] also are seeking to have their case recognized as a class action, representing more than 50 female workers of Meow Wolf the women say have been affected by unfair labor practices since 2017.” – Santa Fe New Mexican

Listening To The World: How Our Taste Is Being Reprogrammed

Beyond obscuring labor, the switch to digital has reprogrammed our discovery and consumption of music. Despite the seemingly unprecedented supply of music, Damon Krukowski suggests that internet companies, like Spotify and Amazon, “are replacing the freedom and chaos of the internet at large, with the control and predictability of their programs.” In other words, they generally provide access to art that we are or would be comfortable with, and they otherwise restrict or obscure alternatives. “When you go into a bookstore, or record store, or library—any physical space devoted to information,” Krukowski writes, “you enter another world . . . But when you open a browser—it’s an irony that’s the word, isn’t it?—that relationship to information is reversed. It conforms to you.” – The Baffler

How ‘The Star-Spangled Banner’ (And A Scheming New York Phil Board Member) Got The Boston Symphony’s Conductor Sent To An Internment Camp

Alex Ross recounts the story of Karl Muck, the elegant former director of Kaiser Wilhelm’s Berlin Court Opera, who came to the BSO in 1906 and was there for an unfortunate decision, shortly after the U.S. entered World War I, not to play the American national anthem before a concert. – The New Yorker

Hong Kong’s Artists And The Protests Against The Extradition Law

As one gallerist put it, “With this extradition law, however, the firewall protecting our freedom of expression is effectively removed and everybody falls into self-censorship. One would worry if their art will be deemed politically charged or in violation of mainland laws.” And an artist marching in the protests said simply, “If this law is approved, then Hong Kong and China will be just the same.” – Artsy