A Successful DIY Touring Career For Composer/Cellist Zoë Keating

Keating: “You have to give yourself permission to play your own music. It doesn’t seem valid somehow; it doesn’t seem like real music. It’s like, ‘Well, I’m just playing. I’m making up this stuff.’ And I had a really long period of that, of feeling like there were all these different buckets. There was the music that I would play that was classical–the stuff that I was learning, or that I was being judged on, or graded for. Then there was music that I listened to, which was mostly popular music, that I would sometimes try and work out on the cello. And then there was the music that I would improvise or that was just my own. And they were all very separate.”

The Language Wars (Sigh)

“Define the 1 percent however you want–the upper echelons of commerce, government, culture, academia, even the British royal family–and you’d be hard-pressed to argue that they are paragons of correct usage and good style. For quite some time now the language connoisseurs have been schoolteachers, writers of letters to the editor, and ink-stained wretches on Grub Street (and their digital descendants).”