Why Not Speak Ill Of The Dead?, Asks Dick Cavett

In a remembrance of Art Linkletter, Cavett writes, “Someone, I guarantee, will react to this with the pre-recorded, ‘How can you speak disrespectfully of the dead?’ Truth is, I have always found it remarkably easy. Why anyone, by dying, should thereby be declared beyond criticism, innocent of wrongdoing, suddenly filled with virtue and above reproach escapes me.” (Sure enough, readers join in with mixed comments on Linkletter and his legacy.)

Marion McClinton: Where Is Chicago’s Black Theatre?

“It is a question that baffles me because of the adventurous nature of Chicago theater and I mean, it’s CHICAGO, land of Wright, Brooks, Hansberry, Forrest…. I know there are theatres in Chi that presently stand and are successful but I am talking about one that speaks to an America of the 21st Century, the one that voted in the US’s first black president (from Chicago!).”

Margot Fonteyn, Prima Ballerina, Revolutionary And Adventurer

“In its broad detail, the episode has been known about for some time, but confidential British documents declassified on Friday offered new insight into the extent of Dame Margot Fonteyn’s efforts to support her husband, the lawyer, diplomat and journalist Roberto Arias, in a seaborne — and ultimately bungled — attempt to overthrow the Panamanian government with the help of 125 Cuban revolutionaries.”

How Can We Improve Coverage Of Theatre?

“My view has always been that we need more critical voices, and that the web offers the space for those voices to be heard and to develop. It has already helped open up theatre criticism considerably, and for the better; perhaps it won’t be long before we have the equivalent of Matt Trueman, Alison Croggon or the West End Whingers in every city and region, alongside professional reviewers.”