PICTURE PERFECT

Who says photography has to record something real? In the late ’70s, a number of artists began “questioning the documentary capacity of photography. Instead of taking pictures of extant scenes, James Casebere built elaborate models and photographed them, presenting the prints rather than the constructions as his art. Other artists were coming up with similar strategies at the time, all departing from the tradition of straight photography and its commitment to reality.” – Los Angeles Times

LOW POINTE

Washington DC’s Kennedy Center says it runs one of the best dance series in the country. “But over the past several years the ballet program has sunk to an alarming depth. The number of subscribers plummeted more than 40 percent between the ’91-92 season and last year.” Despite highlights such as Moscow’s Bolshoi, audiences have had to suffer through “Dracula,” a commercially driven hit that gets high marks for boredom, and “Nutcracker on Ice,” “an effort by a troupe of lower-tier Russian skaters that probably cost the center about 89 bucks and looked it.” – Washington Post

SHOWCASE TO NOWHERE

This year audiences at Cannes have sat through a phalanx of French films and a good sampling of the best Asia has to offer. And from Hollywood? Flops and second raters. “Cannes is in crisis. The Hollywood studios prefer to advertise their films here rather than show them, and nobody seems to know where the festival is headed.” – The Sunday Times (UK) 05/21/00

SURVIVOR

  • Much has happened to Susan Sontag in the past few years – getting caught in a war, getting hit by a car, being diagnosed with cancer – yet Sontag’s new book is remarkably untouched by her personal life, which she talks about in this interview. – The Observer (UK)