Opera Is Attracting New Generations

“As the Glyndebourne Festival gets under way in East Sussex next Saturday, companies are throwing off the genre’s fusty, elitist image and attracting more twenty-somethings with cut-price tickets and innovative schemes to broaden opera’s appeal. Glyndebourne is enjoying record box office sales, up 8 per cent on the same time last year.”

Garrison Keillor Looks For A Successor

“A lot of work went into getting the show to this point, over 30-some years, and why should one waste all of that work simply because one person, the weak link, the host, decides to go off and sail the Caribbean, or go off and write his memoirs that nobody would particularly want to read, why should this come to an end? And the answer is that it shouldn’t, at least without a good fight.”

What’s New On Broadway? Good Original Material (For A Change)

Ben Brantley: “[For] at least a couple of decades the commercial New York theater’s main business has been recycling, and not just old plays and musicals but also old movie and television scripts and even, I might add, old stars. … But take a stroll around the Square or through Shubert Alley today … and you’ll note a surprising tang of freshness emanating from the posters and billboards there.”