Roger Penrose’s Crackpot Theory Of Consciousness

He believes we must go beyond neuroscience and into the mysterious world of quantum mechanics to explain our rich mental life. No one quite knows what to make of this theory, developed with the American anesthesiologist Stuart Hameroff, but conventional wisdom goes something like this: Their theory is almost certainly wrong, but since Penrose is so brilliant (“One of the very few people I’ve met in my life who, without reservation, I call a genius,” physicist Lee Smolin has said), we’d be foolish to dismiss their theory out of hand.

Male Dancers Need To Eat A Lot To Get The Energy To Lift Bigger Ballerinas, Says Mariinsky Theater’s Director

That would be Valery Gergiev, the general director of the storied St. Petersburg house as well as a compulsively globe-trotting conductor who’s found himself caught in controversy before. This time, in addition to opining on male dancers’ diets and female dancers’ size, Gergiev discussed the preference for small breasts on ballerinas and dissed the Mariinsky’s Moscow rival, the Bolshoi.

How Shakespeare Sucks Up All The Oxygen

“New theories about the extent of Shakespeare’s collaborative work appear to chip away at the solitary-genius monolith, but in fact they gain their intellectual and institutional traction from our very investment in that monolith. Adaptations similarly reinforce Shakespeare’s dominance even as they attempt to overwrite his social and linguistic conventions.”

Amazon And EU Settle E-Book Antitrust Case

“Amazon, the biggest e-book distributor in Europe, proposed to drop some clauses in its contracts so publishers would not be forced to give it terms as good as those for rivals. Such clauses relate to business models, release dates, catalogs of e-books, features of e-books, promotions, agency prices, agency commissions and wholesale prices.”

Designing An Online Tool To Demystify Contemporary Dance For New Audiences

Audience engagement researcher Ben Walmsley writes about his project called Respond, “a responsive online platform … [which] attempted to break down cognitive barriers to dance by showing and explaining the rationale behind certain choreographic decisions and giving audiences demystifying insights into the rehearsal and development processes.”

What Kind Of Theatre, Exactly, Do ‘We Need Now More Than Ever’?

Broadway this season has pure escapism, like “Hello, Dolly,” and socially engaged theatre, exemplified by Lynn Nottage’s “Sweat.” The problem isn’t either one, argues critic Jonathan Mandell. “Escapist fare is most irksome not when it focuses on something other than the world’s concerns, but when it demonstrates an active indifference to those concerns.”