Elvis Is Leaving The (NYT) Building?

Is movie critic Elvis Mitchell leaving the New York Times? Word is that AO Scott will take over the chief film critic role, and that Mitchell will leave. “The move downsizes the triumvirate that put Scott, Mitchell and Stephen Holden in charge of movie criticism when longstanding lead reviewer Maslin stepped down at the end of 1999.”

MoMA’s Art Sale

The Museum of Modern Art could raise almost $30 million when it sells nine works of art from its collection at auction. “The museum is ostensibly raising funds for new acquisitions to display when it moves back into its expanded, midtown building next year. But the decision to sell paintings by artists whose works fit squarely within the museum’s collection will meet with some controversy.”

Trading Up

“In 1972 the Anderson Fine Arts Center in Anderson, Ind., which has about 25,000 visitors a year, was given “Damage,” one of Mr. Ruscha’s signature word paintings, by the American Federation of the Arts. At the time it was valued at $3,000. Now the Anderson is offering the painting at Christie’s sale of contemporary and postwar art on May 11. It is estimated at $1.8 million to $2.5 million.”

Schwarz: Was I too Adventurous In Liverpool?

American conductor Gerard Schwarz says his choice of music when he first arrived as music director of the Royal Liverpool Orchestra may have scared off some audiences. Players of the orchestra recently voted not to renew Schwarz’s contract with the orchestra. “In my first season’s programme, I didn’t think I was stretching the audiences. Obviously, everyone doesn’t agree with me.”

Art By Plastic Surgery

French performance artist Orlan practices her art by altering her body cosmetically with plastic surgery. “For Orlan, plastic surgery isn’t tummy tucks, liposuction, breast reduction or lip augmentation. It’s an expression of the sublime and grotesque, eccentricities carved into human flesh and sculpted in living bone.”

Shooting Presidents – A Hit?

More than a decade after they first surfaced to critical shudders and head-scratching, the unhappy have-nots of “Assassins” — the glitteringly dark musical by Stephen Sondheim and John Weidman about Americans who dream of killing their country’s presidents — have finally made it to Broadway…The frightening title characters of “Assassins” are restating their demand to be noticed in the Roundabout Theater Company production, which opened last night at Studio 54. And under Joe Mantello’s direction, they are doing so with an eloquence and an intensity that makes a compelling case for a misunderstood show.”