Athenian Symposia And Parisian Salons, Reinvented For Millennials

“On a mild spring evening, ten people gathered for dinner in a converted brewery in east London to speak of serious things. The event was hosted by Norn, a hospitality company that describes itself as an ‘offline social network’. Members can stay for a month or more in its houses in London, San Francisco, Berlin and Barcelona, and take part in salons and meals which come with conversation menus that prescribe high-minded topics for each course.”

Art As Leadership Tool

Without ever intending it, experienced leaders often allow what they know to limit what they can imagine going forward; their knowledge can actually get in the way of innovation. Which is why, to summon the spirit of Proust, it’s so important for leaders to see their company and industry with fresh eyes — which means looking at their work in new ways. Art, it turns out, can be an important tool to change how leaders see their work.

Facebook Wants To Make Its User Data Available To Social Scientists. Should It?

In partnership with the non-profit Social Science Research Council, Facebook’s social-science program will put out a call for university scientists to apply for grants to study the effects of social media on democracies and elections, potentially using proprietary Facebook data. The money will come from various foundations known to give to Democrats, Republicans, and journalists.

How Liesl Tommy Carved Out A Career For Herself As Director, Tony Nominations And All

It was, in her words, “a fucking compulsion,” says Tommy, a mixed-race native of Cape Town who came to Massachusetts with her family at age 15. “I believed the lie that the reason that there weren’t more of us [directors of color] working was because they didn’t believe we were qualified. So I was like, ‘Here I am! Here are the reviews, here’s the sales, here’s the work.'”

Ohio Arts Funding ED Steps Down In “Challenging” Climate

Cuyahoga Arts and Culture CEO and executive director Karen Gahl-Mills has resigned, effective June 7, according to a press release sent this morning, April 18.  In a challenging atmosphere of funding cuts, the leader of one of the nation’s largest public funders of the arts became embattled on several fronts: first in an attempt to address racial inequity in grantmaking to individual artists, and subsequently by  choosing to  significantly reduce operating support to nonprofit organizations all at once, rather than gradually, in the hope of keeping grant amounts stable for a period of years despite a projected continual decline in cigarette tax revenue.

A New Boom In Ceramic Art

Call them potters, ceramicists, or clay sculptors, but there are getting to be more of them, amateur and professional – and their work is fetching higher prices. Reporter Amy Fleming looks at how the trend has developed and the reasons for it.

The Difficult Birth Of The Tate Modern

“The Tate briefly flirted with the idea of splitting in two and setting up an entirely separate Museum of Modern Art, inspired by the success of MoMA in New York. This was in the early 1990s, before the gallery decided to remain a single institution with two London venues: Tate Britain and Tate Modern. The behind-the-scenes efforts of Nicholas Serota, the Tate’s director from 1988 and 2017, to create Tate Modern are revealed in the gallery’s trustee minutes for 1991-92.”

NEA Forbids State Champion In High School Poetry Contest From Going To Nationals Because He’s Not A US Citizen

Nineteen-year-old Allan Monga, who arrived (legally) in Portland last year as a refugee from Zambia, won the Maine state finals of the NEA’s Poetry Out Loud contest last month. All state champions are supposed to get an all-expenses-paid trip to the national finals in DC next week – but the NEA says its rules permit only US citizens to compete. Monga and Portland Public Schools have filed suit; reporter Ray Routhier looks at the legal issues involved.

Why We Need A New Age Of Romanticism

In our new era of Enlightenment, we need Romanticism again. In his speech ‘Politics and Conscience’ (1984), the Czech dissident Václav Havel, discussing factories and smokestacks on the horizon, explained just why: ‘People thought they could explain and conquer nature – yet … they destroyed it and disinherited themselves from it.’ Havel was not against industry, he was just for labour relations and protection of the environment. The issues persist.