Choosing Where, And How, To Succeed In Dance

“Being a ballerina of color in New York City has never been easy. In 2012, young minority women looking to make a career in this still very white art form face a daunting choice: Do they look to follow Misty Copeland, the lone African American dancer of rank at Manhattan’s two major companies? Or do they hold out hope that District native Virginia Johnson successfully revives Dance Theatre of Harlem, the historically black company slated to debut next year?”

Be A Clown – And Never Retire

Floyd “Creeky” Creekmore doesn’t give up. “At 95 years old, the former Montana rancher recently dubbed the oldest performing clown in the world has fewer magic tricks up his oversized sleeves than he once did. He gave up juggling several years ago after a stroke, and has long since parked the bicycle he once incorporated into his acts. But when the Shrine Circus comes through Billings, where Creekmore lives with his 96-year-old wife, Betty, Creeky the Clown returns to life.”

The Internet Is For Killing Your Sense Of Obscure Music Knowledge

“Obscure knowledge was once a kind of currency. To get it, you had to be in the loop. You had to know the right people to learn about the right bands. You had to know the right record stores to hear those bands. The right record stores, like the right comic and book and video stores, were manned by knowledge guardians who scared the bejeezus out of us, so the act of going in to these stores felt kind of intrepid.”

Mauricio Lasansky, Master Printmaker Who Depicted Horrors Of Nazism, 97

An Argentinian who founded the printmaking program at the University of Iowa in 1945, Lasansky created massive prints with complex, multiple colors and techniques. “Although Lasansky was considered a wizard of printmaking technology, ‘The Nazi Drawings,’ as his series is known, used plain paper and ordinary pencil — the most humble, universal materials possible, he explained.”