Are Lawyers Killing Musicians’ Creativity?

“Digital technology now makes it very easy for one musician to copy and modify some appealing element from another musician’s recording. Now lawyers hover over new records, listening for any legally actionable borrowing. Such cases are usually settled out of court — for undisclosed, but often enormous, sums. More interesting than the legal-sideshow aspect, I think, is the question of how artists deal with the situation. Imitation, allusion, parody, borrowing stray bits of melody or texture — all of this is fundamental to creativity. The line between mimicry and transformation is not absolute.”

An Orchestra Of Laptops

The Princeton Laptop Orchestra, founded last fall, can, with “15 first-year students on Macs connected to custom omnidirectional speakers” emulate a full-fledged orchestra. “Or an electronica band. Or a jazz combo. It’s easy when the conductor keeps time via network clocks precise to 20 milliseconds.”

UK Movies – Buy, Rip, Burn

UK movie fans will soon be able to buy and download movies online. “Fans will pay £19.99 for a DVD of their chosen film plus two digital copies to keep indefinitely – one for their home computer and one for a portable device. Universal said it could ‘completely revolutionise’ how people watch movies. However users will not be able to burn copies of the films to DVD themselves and the files will be compatible only with PCs and Windows software.”

Tate Britain – Fighting For Identity

“Tate Britain drew a record 1.73 million visitors last year with shows such as ‘Turner Whistler Monet.’ Yet many overlook its permanent display of Turners and Gainsboroughs, and forget that it hosts the Turner Prize contest and other contemporary-art events. As the museum turns six this month, it seeks to shed its dowdy image as a venue reserved for old-master shows.”

Is St. Luke’s Orchestra A Model For The Future?

The orchestra is flexible in its numbers and its management. “This flexibility — borne of necessity — has become a great asset, enabling us to sustain a financially viable model with no deficit. As the orchestra world grapples with top-heavy, inflexible, deficit-ridden organizations — many of which no longer respond to the changing needs of their communities — we believe the distinctive structure we have created could end up being a model for the orchestra of the 21st century.”