Italy Cleans House At Culture Ministry

“Not only are nine high-ranking superintendents retiring [superintendents are the officials responsible for the state museums such as the Uffizi, for buildings such as the Coliseum, for archaeology and archives and conservation institutes, not to mention the much abused Italian landscape], but its top civil servant, Giuseppe Proietti, is also leaving.”

A Plan For American Museums (But Not Really?)

“The habit of baldly asserting aspirations–often ones sufficiently vague not to invoke dissent–and calling it a plan, strategic or otherwise, is uncomfortably common in cultural planning. In the case of the American Association of Museums, this is unfortunate, as there has probably never been a more important time for museums individually and collectively actually to plan, with intelligence, application and seriousness of purpose.”

Business And Social-Networking Lessons Of The Dead

“Today, everybody is intensely interested in understanding how communities form across distances, because that’s what happens online.” It’s also what long happened among Deadheads. That’s only one reason academics are fascinated by the Grateful Dead, who also “famously permitted fans to tape their shows,” yet “did not hesitate to sue those who violated their copyrights.”

Paulo Szot: From Broadway Heartthrob To Noseless (If Not Faceless) Bureaucrat

“I’ve been trying to sing at the Metropolitan Opera for many, many years. I covered a number of roles there. And now this opportunity – and such crazy music, such a crazy role!” The Brazilian baritone has been an opera professional for two decades, but finally gets a starring role at the Met – in Shostakovich’s The Nose – after winning a Tony for South Pacific at Lincoln Center Theater.