Trump Nominates New Chairman Of NEH

“[Jon Parrish] Peede, a scholar of Southern literature by training, was publisher of the Virginia Quarterly Review from 2011 to 2016, and has also worked in various capacities at the National Endowment for the Arts, the [National Endowment of the Humanities’] sister agency. He has been serving as the agency’s acting director since May.”

The Arts Babble On About The MeToo Movement, But There’s Little Action, Says One Playwright

Katori Hall says change won’t be easy: “That requires a lot of giving up. Giving up your seat to let people sit at the table who haven’t always been allowed to sit … that’s often not on the stage, but where the decisions are made. That’s on the board. How many black artistic directors does the UK theatre scene have? I’m always asking, are we performing inclusion, are we performing diversity? Or are we actually doing it. Let’s see if the acknowledgment phase shifts through into the action phase.”

The First Woman To Force The British Royal Academy To Let Her In Blazed A Trail For Others

Even in the early 20th century, women weren’t allowed to study nude bodies at the Royal Academy – they had to travel to Rome or Paris to do that. But Annie Swynnerton persisted – even though she “faced prejudice not just for her gender but also for her realistic, unromanticised depiction of female bodies, which was dismissed by those who preferred unblemished classical fantasy.”

What Was Frances McDormand Talking About With The Words ‘Inclusion Rider’?

When she won for best actress in a motion picture, McDormand gave a short, fiery speech that ended with “I have two words for you: Inclusion rider.” Those two words sent millions to Google, but there wasn’t much there (at the time). An inclusion rider would be “something actors put into their contracts to ensure gender and racial equality in hiring on movie sets.”

How ‘The Post’ Makes Katherine Graham Less Interesting Than She Really Was

Obviously, it would do that because it’s just a movie, not a life (and not even a biopic), but still: “The real Graham, who survived a poor-little-rich-girl childhood and an abusive marriage, was wracked for most of her life by self-doubt. Her actual life … oozed much more drama, and she lived through it with a mix of admirable qualities (guts, leadership) and ugly ones (insecurity, insensitivity).”