Why It’s Good Business For Arts Organizations To Be Socially Conscious (And Act On It)

“I’m not suggesting for a moment that corporate virtue-signaling is driven by anything more than pure, uncut capitalism, or that a chasm doesn’t separate legitimate IRL activism from retail “activism.” But the point is that sincerity isn’t required for money to change hands. On average, people with the most surplus cash increasingly want to support a progressive agenda—or at least pay for a tenuous claim to it—and the for-profit world is adjusting itself accordingly. So why wouldn’t the nonprofit world benefit by doing the same?” – Artnet

Immersive Paris Light Show Based On Klimt Paintings Is A Hit

The Atelier des Lumières, a 2,000 sq. m former foundry in the 11th arrondissement, was launched last spring with a 30-minute immersive audiovisual experience of Gustav Klimt’s paintings, featuring mural projections of the images set to music by Wagner, Strauss and Beethoven. With full-price tickets at €14.50, it attracted more than 1.2 million visitors from 13 April 2018 to 6 January 2019. – The Art Newspaper

Using Theatre To Bring Together (If Not Reconcile) Falklands War Vets From Both Sides

“Both the play Minefield and the documentary Theater of War are part of the same project in which [director Lola] Arias, together with veterans of the Malvinas/Falklands War of 1982, reconstruct memories in a tense and emotional production, in which the former British and Argentine soldiers are themselves the stars — former enemies, side by side.” – Hyperallergic

Ethel Ennis, 86, ‘Baltimore’s First Lady Of Jazz’, Who Walked Away From Fame

“She recorded for major labels in the late 1950s and the ’60s; toured Europe with Benny Goodman; performed onstage alongside Miles Davis, John Coltrane and Louis Armstrong; and appeared on television with Duke Ellington [and] Arthur Godfrey. … But she soon grew disillusioned with the demands placed on young divas, and she eschewed national celebrity for a quieter life in her hometown.” – The New York Times

New York City Ballet Moves To Get Alexandra Waterbury’s #MeToo Lawsuit Against It Dismissed

“‘Finlay’s sexual relations with (Waterbury) were not even remotely connected to his employment as a dancer for the Ballet,’ declared the court documents filed Wednesday. ‘Indeed, Plaintiff does not and could not allege that anything about Finlay’s job as a dancer required him to engage in a sexual relationship with her. … Even if the Ballet knew that Finlay had engaged in [‘partying and alcohol use’], they hardly suggest knowledge of a propensity for the distribution of intimate photographs alleged in the Complaint.'” – New York Daily News

Producers Of Broadway ‘To Kill A Mockingbird’ And Publishers Of Older Play Version Could Be Headed To Court

Scott Rudin, lead producer of the Aaron Sorkin adaptation now on Broadway and likely to tour eventually, has been trying to block stagings of the older version, written half a century ago by Christopher Sergel Sr. and still published by his family firm. (One tour of regional Britain was recently cancelled after Rudin threatened to sue.) Christopher Sergel III says this is doing real damage to his business. – Crain’s Chicago Business