Who Killed ‘Twin Peaks’? An Oral History Of The Making And Breaking Of A Cultural Phenomenon

As the series reboot approaches, cast and crew talk about David Lynch’s unconventional working methods, the odd casting decisions that resulted (the guy who played Bob was the set dresser), and their delighted astonishment when the show became a hit. They also explain why the show took such a bad turn after Laura Palmer’s killer was revealed.

Long Shots: Losing ‘For Your Consideration’ Nomination Campaigns And The People Who Run Them

Cara Buckley, the Times‘ Carpetbagger: “Chatting with a half-dozen or so Oscar campaigners, the Bagger learned that the reasons long-shot movies and performers are foisted into the awards fray are almost as numerous as the prizes Hollywood doles out to itself each year (though, she dares to say, publicists’ justifying their paychecks surely plays a part).”

Am I The Apple? More Talk About The Nature Of Consciousness

Tim Parks: “How is it that we experience the world? How is it possible that the environment we live in, the objects we use and see, touch and taste, hear and smell, are both patently out there and simultaneously, it seems, in our heads? After four long conversations, … Riccardo Manzotti and I are no nearer to establishing what consciousness is or where it resides. Today, then, we have set ourselves a simple task: to review all the ways philosophers have supposed a subject might relate to and become conscious of an object.”

The Universe Is Unimaginably Huge. That Makes Writing About It Difficult

“The wonders of the Universe are under no obligation to make it easy for science-fiction writers to tell stories about them. The Universe is mostly empty space, and the distances between stars in galaxies, and between galaxies in the Universe, are incomprehensibly vast on human scales. Capturing the true scale of the Universe, while somehow tying it to human endeavours and emotions, is a daunting challenge for any science-fiction writer.”