Classical Music Grammys? Who Cares?

“For critics of all stripes, deriding the Grammys as increasingly insignificant is an annual ritual. But the classical Grammys are particularly irrelevant. Classical music looks on the Grammys much as the artsy kid in school, engrossed in creative pursuits, occasionally peeking over to see if the star athlete has noticed him — only to look down his nose at him when he does.”

Should Museums Really Be Returning Art?

“As one museum after another negotiates deals, and prosecutors all over the world target the commercial trade in ancient objects, some prominent scholars are drawing a line in the sand, saying that objects belong where they are – that the movement is based on a false reading of history, and, if allowed to progress, could do serious damage to the world’s cultural inheritance.”

Time To Celebrate The Grammys For What They Are

“Grammy’s best moments have simply celebrated stardom itself, from its thrilling beginnings (Ricky Martin, bursting out of the box in 1999), through its peak (virtually any Whitney Houston show-stopper) and into its dignified twilight (Marvin Gaye, butter-smooth in 1983). Naysayers dismiss such glitzy numbers as empty showbiz, but they’re the building blocks of pop mythology.”

Moscow Building Itself The Largst Building In The World

“Essentially a city unto itself, Crystal Island would rank, if completed, as the biggest building in the world, with a total floor area of 27 million square feet, or about four times the size of the Pentagon. Its sharply peaked, tent-like form is designed to hold 900 apartments, 3,000 hotel rooms, an international school for 500 students, a shopping center, offices, a museum and a large sports complex.”

Theatre: Audience Participation Required

“Seeing a play is not generally considered an interactive experience, unless fidgeting, coughing, applauding and chuckling at the latest comic innovation in squelch-the-cellphone announcements qualify as participation in the performance. But theater that invites the audience to get in on the act may be poised to become a more prominent component of the theatrical scene.”