Race, Opera, And A Historical “Nixon In China”

“Opera remains far too white-dominated an art form. And operatic stereotypes and conventions are valid subjects for ongoing re-evaluations. Opera companies everywhere are wrestling with shifting expectations. We all have our personal and racial hot buttons and blind spots. But we should be wary of letting them distort our perceptions of historic works of art—and a 30-year-old opera about events 45 years ago is now a product of history.”

The Touring Ballerina Who Left It All To Build A Theatre In The Desert

“When Marta Becket died on Monday at 92, her only survivor was the theater, the walls and ceiling she painted depicting a colorful audience that would never leave: Renaissance royalty, nuns and monks, clowns and jousters, revelers and cherubs — and Clive Barnes, the longtime drama critic of The New York Times, a playful nod to her theatrical past.”

Playwright Robert Schenkkan, Furious At Trump, Spits Out A Response Play In One Week

Five theaters across the country have already agreed to produce “Building the Wall,” starting next month. “We no longer live in a world that is business as usual — Trump has made that very clear — and if theater is going to remain relevant, we must become faster to respond. … We cannot hope to be useful if we can’t respond until 18 months after the fact.”