Why Ritual Is So Important: It Works

“No culture and few individuals live without ritual. … And here’s the thing. Rituals work – even for people who say they do not believe in them. [Researchers have found that] rituals alleviate grief, reduce anxiety, increase confidence, … [and] aid self-control.” Jay Griffiths examines the power of ritual in action, especially on an island where one sees it everywhere. — Aeon

There’s A Fundamental Problem With Trying To Justify Why The Arts Are A “Good” Thing

Carter Gillies: “Either we say that improving health, wellbeing and social outcomes is our proper motivation, or we admit that the value of the arts is different to this. If instrumental benefits are what truly matters, then it may be necessary to sacrifice some art that doesn’t meet these criteria. We can hold on to the ideal of instrumentality, or to art that does not show evidence of instrumental benefits. But we can’t have it both ways.” – Arts Professional

National Opera House Boss Fired For Allowing Computer Game Tournament In Building

The Kyrgyz National Opera and Ballet Theatre is funded from the always-strapped budget of Kyrgyzstan, a small and mountainous ex-Soviet republic wedged between China, Kazakhstan, and Uzbekistan. So director Bolot Osmonov took the opportunity to make some extra money by renting the premises out for a national tournament of Dota 2, a notably violent online video game. Alas, pearls were clutched in horror and Osmonov lost his job. (And this wasn’t even the first time that sort of thing happened.) — Global Voices

Iran’s Leading Filmmaker Turns His Lens Onto The Wider World

Asghar Farhadi has won two Best Foreign Language Feature Oscars in five years: in 2017 for The Salesman and in 2012 for A Separation, which became the most profitable Iranian film in history. He ventured to Spain to make his latest film, Everybody Knows, starring Penélope Cruz and Javier Bardem, but he continues to live and work in Iran, even as his compatriot filmmakers have been silenced by the authorities or have fled into exile. — The New York Times Magazine

Charles Dutoit Hired For Substitute Gig At National Orchestra Of France, And Controversy Ensues

The Swiss conductor lost his various positions during the winter of 2017-18, after several women came forward to accuse him of sexual harassment and assault. Now the Orchestre national de France has engaged him for this weekend’s concert performance of Berlioz’s Damnation of Faust after scheduled conductor Emmanuel Krivine withdrew on short notice. It’s Dutoit’s highest-profile performance (outside of Russia) since the scandal broke, and there has been pushback on the decision to hire him. — AP