BERLIN OPERA CRISIS

Four-part series examines a behind-the-scenes crisis in Berlin’s opera landscape. Part I examines the Deutsche Oper – Last October, on the day of the important premiere of a new production of Schönberg’s “Moses und Aron,” fifteen members of the orchestra phoned in “ill,” forcing the company to frantically phone around several European cities and fly in replacements literally at the last second. Within days the entire orchestra was out on a full-blown strike, resulting in numerous cancelled performances, including all subsequent presentations of “Moses und Aron.” – Die Welt

SING LIKE AN EGYPTIAN

Contemporary opera is suddenly hot, and amid the wave of premieres, other late 20th Century operas are also getting a rehear. Among them Philip Glass’s “Akhnaten,” revived at Boston Lyric Opera, the work’s first production in 11 years. Glass reflects on the piece and the business of modern opera. – Boston Globe

FOR THE SOUL OF A CITY

“Joining a debate as old as the reunification of Germany itself, the President of the Berlin Chamber of Architects, has called on the city to abandon “reactionary” plans to rebuild the Emperors’ Palace on Unter den Linden and instead build a future-oriented and community-friendly structure. Rebuilding the Stadtschloss, the Hohenzollern palace blown up by the East German government in 1950, would, he said, produce a fake Disney-esque facade that might become a tourist destination but would leave a hollow heart in the city.” – Die Welt

LITERARY SCORN

No country is more haunted by the spirit of its dead writers than Russia. Yet the Russian image of the novelist is no longer that of reverent seer or even heroic dissident. If anyone embodies the new image of the writer in Russia it is the 38-year-old Victor Pelevin, a laconic semi-recluse with a shaved head, a fashionable interest in Zen meditation and an eccentric attachment to dark glasses. Pelevin has emerged as that unusual thing: a genuinely popular serious writer. – New York Times Magazine