Millennia-Old Stone Circle In Scotland Turns Out To Be About 24 Years Old

“The ‘recumbent stone circle’ in … Aberdeenshire, was reported by the site’s current [owner] with unusual features including its small diameter and proportionately small stones. Historic Environment Scotland … celebrated it as an authentic discovery and continued their research until being contacted by the former owner who said they had built the stone circle in the mid-1990s.” — Yahoo! (Press Association UK)

How Are You Going To Pay For Things You Want To Use?

Increasingly it comes down to one of three things: Money, data or attention. “Money is the cleanest transaction and usually, but not always, comes with a few strings attached. Data is at the other end of the spectrum, a resource that is harvested with our technical permission but rarely granted by us fully willingly, as the choice is often a trade-off between not sharing data and not getting access to content and services. The weaponisation of consumer data by the likes of Cambridge Analytica only intensifies the mistrust. Finally, attention, the currency that we all expend whether behind paywalls or on ad supported destinations. With the Attention Economy now at peak, attention is becoming fought for with ever fiercer intensity.”  – Music Industry Blog

One Of The Hearts Of The Met Museum’s Ancient Greek Collection Was Arguably Looted En Masse

Writer Thomas O’Dwyer makes the case that The Cesnola Collection — assembled by an impoverished Italian aristocrat who emigrated to the States, fought in the Civil War, got himself appointed consul in Ottoman Cyprus for both the U.S. and the Russian Empire, and then got himself named the Met’s director — is comparable to the Elgin Marbles and was similarly criticized at the time. — 3 Quarks Daily

Gallery Sues Former Employee For Stealing “Trade Secrets”

It alleges that Bona Yoo, a former director who is now working at Lévy Gorvy gallery as a sales director, “surreptitiously copied valuable trade secrets” from Lehmann Maupin’s computer systems before she left and “maliciously corrupted” or deleted important information from the gallery’s database. Yoo’s plan, according to the lawsuit, was designed to impede the gallery’s business while simultaneously allowing her to use the information for her own financial gain at another gallery. – Artnet

‘A Criminally Underappreciated Moviemaker’: In Praise Of Elaine May

Describing her as “a terrific director of actors whose comedy can lacerate,” New York Times co-chief film critic Manohla Dargis reviews May’s career, from her 1971 directing debut, A New Leaf, through The Heartbreak Kid and Mikey and Nicky, to the notorious Ishtar (1987), an expensive quasi-flop generally considered to have ended May’s directing career but which Dargis calls “a loony, loopy blissout … whose time is now.” — The New York Times