All Songs Are The Product Of Other Songs (Cue The Copyright Trolls)

The idea that this might be actionable is the new twist. Every song benefits from what preceded it, whether it’s a melodic idea, a lyrical motif, a sung rhythm, a drum texture. A forensic analysis of any song would find all sorts of pre-existing DNA. A copyright troll exploits that, turning inevitable influence into ungenerous and often highly frivolous litigation. – The New York Times

What’s At Stake If Trump Destroys Cultural Sites

Does Trump know what would be lost? Probably not – but he’s hardly the only one. The fact that the country is rarely visited by western tourists is not due to a lack of attractions. With a civilisation dating back 5,000 years, and over 20 Unesco world heritage sites, Iran’s cultural heritage is rich and unique, especially its religious architecture, which displays a mastery of geometry, abstract design and pre-industrial engineering practically unparalleled in civilisation. This is is not just Iran’s cultural heritage, it is humanity’s. – The Guardian

A Chess Grandmaster Explains Concentration

“We ask too much of attention and not enough of concentration. The recent cultural emphasis on attention risks subsuming too many variables of human experience, as if they could ever be held constant. We have to pay attention with the body, the will, the place, the mood, the memory, the moment, the relationships, the affordances, not the least the smartphone. All these variables are implicated in our capacity to attend, but they have their own kinds of agency, too, and they play with each other in unpredictable ways.” – Aeon

‘The Four Horsemen Of Asian-American Literature’

That was Ishmael Reed’s nickname for Frank Chin, Jeffery Paul Chan, Shawn Wong, and Lawson Fusao Inada, who (on top of their own writing) put together the first major anthology of Asian-American fiction (titled Aiiieeeee!) and thereby began a canon. “The Four Horsemen had no interest in being loved,” writes Hua Hsu in this essay, “especially by white people. … When an editor asked [Chin] to tidy some grammatical errors, he called her the ‘great white bitch goddess priestess of the sacred white mouth.'” – The New Yorker