Gender-Neutral -e Ending In Spanish Is Starting To Catch On (Except At The Royal Spanish Academy)

‘Latinx” may seem ungainly in English, but it’s very awkward in Spanish. But use of latine as an alternative to latino/a, a formulation which started in Argentina (where even some universities, politicians and judges have started using it), is spreading among young people in Latin America and Spain, as is the -e ending more generally. Yet the Real Academia Española, the official arbiter of the language of Cervantes, will have nothing to do with it. That may not matter so much: as one Ecuadorian copy editor tells a reporter, the RAE is, quite literally, “a colonialist institution.” – The World (PRX)

Since They Cancelled This Year’s Bad Sex In Fiction Award, Here’s Some Brand New Bad Sex In Fiction

“The judges offered the justification that ‘the public had been subjected to too many bad things this year to justify exposing it to bad sex as well,’ but come on — the bad things we’ve weathered in 2020 are exactly the reason we need to laugh and cringe at [execrable sex writing]. … The Literary Review judges admonished writers not to take the cancellation as ‘a license to write bad sex’ — but they abandoned us in our time of need so we don’t have to listen to them.” – Electric Literature

Scammers Are Conning Famous Authors Into Sending Them Unpublished Manuscripts

Margaret Atwood, Ian McEwan, Ethan Hawke, Jo Nesbø and James Hannaham are a few “of countless targets in a mysterious international phishing scam that has been tricking writers, editors, agents and anyone in their orbit into sharing unpublished book manuscripts. It isn’t clear who the thief or thieves are, or even how they might profit from the scheme. … In fact, the manuscripts do not appear to wind up on the black market at all, or anywhere on the dark web, and no ransoms have been demanded. When copies of the manuscripts get out, they just seem to vanish.” – The New York Times

How The New Yorker Got Tricked In One Of Its Best-Known Articles

“This week, The New Yorker attached its own extraordinary editor’s note to a National Magazine Award–winning 2018 article by staff writer and novelist Elif Batuman about Japan’s so-called rent-a-family industry, in which desperate and lonely people hire actors to play their absent fathers, wives, children, and so on. The New Yorker reported that three central figures in the story had ‘made false biographical claims to Batuman and to a fact checker,’ undermining the veracity of large swathes of the article and revealing this particular rent-a-family business to be something of a scam.” Ryu Spaeth looks into how and why this could have happened. – The New Republic