“The art world is watching to see whether the tumultuous changes wrought by its president and chief executive, Tad Smith, are paying off.”
Category: visual
An Artist Gets To Know His Neighbors With (Extremely) Site-Specific Art
“The portrait of Ms. Channing was hung in the mailroom, and a building-wide email was sent out. It brought about 50 replies from residents interested in setting up shoots. After they coordinated schedules, he photographed about 25.”
Senegal Hosts A Big Art Biennial For African Contemporary Art
“The curator says Africa must have confidence in itself to dream and make things happen. Njami has selected a younger group of Africans this year among the 70 exhibiting artists from 24 countries. The wheels of time must change, he says, to mix up the stew and make sure it’s not the same old soup of established artists in the cooking pot.”
Can Greece Use International Law To Get The Elgin Marbles Back To The Parthenon?
“As campaigners prepare to mark the 200th anniversary of the antiquities’ ‘captivity’ in London, Athens is working at forging alliances that would further empower its longstanding battle to retrieve the sculptures.”
How Did A Rembrandt Get From A New Jersey Basement To The Getty?
The painting’s journey is “a story that involves eagle-eyed Paris art dealers and a New York financier with deep pockets and a fondness for Dutch art.”
Is The Art World Ready For A Spring Sales Slump?
“Were there a futures market for artworks, this would be a good time to short certain submarkets.”
Yes, Marisol Was Secretive And Special, But She Was Also Superb At Specific Things
“Marisol stood out for having a unique and eclectic style that resulted in majestic and often fascinating assemblages, or what art historian Cindy Nemser termed ‘collaged sculptures.'”
Spring NY Art Auctions Suggest The Art Market Is Returning To Normal
This year, Christie’s has guaranteed just 18 of the 100 lots at its two headline contemporary auctions. Three of these guarantees, with a total low estimate of $13 million, have been provided by Christie’s itself. No work is valued at more than $40 million at Christie’s or at any of the other houses. “The guarantees aren’t there anymore at the highest level. Christie’s has stepped back, and the market is no longer on steroids and is returning to its normal state.”
SFMoMA’s Revolutionary New App Changes The Way You’ll Experience The Museum
“Codeveloped with a company called Detour, it uses your phone’s location-sensing tech to precisely triangulate your position in the museum based on a hi-res virtual map created for the museum by Apple. That way it knows exactly where you are and where you’re going—and adjusts its audio accordingly.”
Why Are we So Fascinated By Uncompleted Works Of Art?
“Uncompleted works are not just pieces of biographical information. Since classical times, their appeal has been understood, and artists have had to accept that what they leave unfinished may be exposed to the public, and may even be more admired than their finished productions.”
